“I have something to tell you. I don’t intend to love you as my wife,” Alexis declared to Melfina shortly after their wedding ceremony.
Melfina seizes the poor undeveloped land from Alexis and leaves the ducal residence. The only companions left with her are Cedric, the knight assigned by Alexis to watch her actions, and the quiet personal attendant, Marie.
Regaining memories from her previous life just before the wedding, Melfina realizes that this is the world of the so-called “Maria in the Kingdom of Hearts,” which is ridiculed as a trivia-based otome game in her previous life. Furthermore, she discovers that she is the villainess of the Alexis route, Melfina von Orland.
With a strained relationship with her family and being told by her husband that he has no intention of loving her as his wife or having a child with her, Melfina becomes disillusioned with everything.
As a result, she no longer cares about her family or her husband! She refuses to become a villainess and be sent to a convent for the sake of such a man!
Having endured a difficult upbringing and now facing an unhappy marriage, Melfina makes up her mind to find happiness on her own, regardless of her family or husband.



The story follows a typical female main character (MC) who is transmigrated into an otome game set in a fantasy European land. She finds herself in a contract marriage with a stereotypical cold noble male lead (ML), who is one of the dateable leads playing a "villainous" role. What really kept me hooked was the author's dedication to developing the side characters. It was heartening to cheer the MC on as she won them over, building infrastructure, developing products, and nurturing the land and its people. I love these kinds of stories.
However, the MC’s perspective is heavily influenced by a "Japan-centric" mentality, which can be jarring. My immersion was broken when the MC gets kidnapped and, within less than a quarter of the chapter, forgives her kidnappers, and makes everyone who was concerned about her safety do the same.
By this point, it's clear that the end goal couple is the MC and her "husbando." After 76 chapters, he has no redeeming qualities and is a forgettable character that I want to skip over. He has a hinted tragic backstory involving his youngest sibling and how he sees hints of his sibling in the MC. This feels off-putting and almost incestuous, especially given their marital status. (To be fair, this could be a misinterpretation due to the MTL, but it still felt weird when it came up.)
Why is this couple so predictable, even though another dateable knight lead has been by her side the entire time? The story repeatedly emphasizes how she wouldn't survive as a divorcee. Despite her incredible achievements in raising the village, the narrative suggests she couldn't possibly survive social suicide. She would have to become a nun! The MC, her aides, her villagers, and her husband all believe she wouldn't be okay. But wait!
The whole premise of the story was her securing the rights to own the land, drawing up a marriage terms contract, and doing so much to ensure her independence. All this buildup is discarded because the MC and ML must be together. It's frustrating.
Another mild annoyance was the introduction of a third dateable lead—a sickly crown prince from a neighboring country with super powerful magic. He has to stay with her due to political reasons, and for some reason, she has to heal him, even though the true heroine was supposed to be the savior. But don’t worry, of course, he’s important. They share a picnic and enjoy her newly invented mozzarella cheese together.
TLDR: The first few chapters are enjoyable, but the story becomes boring later on. I might reread "Common Sense of a Duke’s Daughter" to get my fix of a female MC building towns. Maybe someone could tell me if it gets better after chapter 76...
The author put a lot of effort into proper research on agriculture and the people's lives back then, which I appreciated, even though the plot seemed to be heading towards a familiar narrative—not a woman finding her own happiness, but another story of a faithful lady forgiving her husband's neglect and cruelty.
Despite the numerous bogged-down details and the cardboard-cutout portrayal of a cold Duke husband, I would recommend this to anyone with a sincere interest in history.
Never mind wrong novel.
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