In Maplewood, at 22 Paulownia Street, there’s a shop. The shopkeeper, Charlie, is worldly and knowledgeable, having sold countless answers and hopes.
A young Duke stepped out from his carriage, looking at him with arrogance.
“You can grant any wish, can’t you? Why don’t you find a way to lift the curse upon yourself?” the Duke asked.
The shopkeeper replied, “Because my curse is lovely. It brings me joy.”



There were subtle hints early on, but a significant plot twist spoiled the surprise: the sister's unhinged husband was abruptly eliminated offstage, without further development or resolution. His corrupt brother, once central to the story's second arc, was reduced to mere mentions in passing.
Despite being informed that Charlie took refuge with the cult leader on Paradise Island, the transition to Louis's inner-city hideout and their collaboration remained unclear. The potential for an intense third act, with the rescue of the astrologer and a rebellion against oppression, was there. The author skillfully built tension.
But then, a shocking plot deviation occurred: Charlie was suddenly transported back in time, reuniting with the love interest as a child amidst fairies in the woods. This sudden detour, inspired by Alice in Wonderland, felt completely out of place, especially considering it happened after 80% of the book, just as the villain was defeated and the readers were eagerly awaiting the conclusion. The story abruptly stopped at its climax to explore this new direction, and when Charlie returned, five years had passed! The events in White Bridge and the fates of other characters were left unresolved, leaving the reader frustrated.
The engaging writing almost carried me through until that point, which is why my disappointment was greater. My advice: keep an eye on the author, as they show promise in crafting individual scenes. Perhaps their next work will demonstrate improved storytelling and be worth a read. For now, this particular story fell short due to its messy plot progression.