The Killing Reality Show could be considered an entertainment… circle… probably.
The story of two slightly straight comrade-in-arms, who due to certain circumstances, were forced to go to bed together.
High profile crazy and low profile crazy pair.

The Killing Reality Show could be considered an entertainment… circle… probably.
The story of two slightly straight comrade-in-arms, who due to certain circumstances, were forced to go to bed together.
High profile crazy and low profile crazy pair.

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Popular Reviews
The non-player characters are, by far, the epitome of nastiness. They're way too abusive. Consider yourself warned~"
There's a wealth of social commentary present, which may be blunt but I find refreshing. I admire the author's bravery and straightforward approach, as it's not something I expected to encounter in a Chinese novel – my reading palette seems limited. The thought of being a public figure in this story, or perhaps in real life, fills me with unease – it paints a chilling picture.
I truly hope this book gets a full translation someday, as it deserves a wider audience. By the way, personally, I have a huge soft spot for Qi Lan, one of the characters in the story.
The story is inspired by Hunger Games/Battle Royale, but with a unique twist: contestants are criminals living in a dystopian future where the rich-poor gap exists. The show, called "The Killing Show," involves participants who are either indentured or taken from prisons. It's a survival-war game where males and females are divided and randomly assigned to teams. The violence serves as entertainment, but the players are not inherently bloodthirsty; their primary goal is survival. Outside the game, they live in a surreal celebrity world, attending interviews and having their lives manipulated by the show's producers.
The MC starts off as a kind and gentle soul but becomes dangerous over time, displaying a yandere personality - friendly yet capable of lethal actions. The ML's background hasn't been fully disclosed, but he's distant and analytical. He tries to avoid drawing attention from the show's masters by downplaying his public image. Both MC and ML carry psychological scars, and their relationship grows as they rely on each other.
The plot primarily revolves around the battles within the game, but there's also intrigue involving the wealthy powers behind it. Fans of survival, fighting, dystopian, and zombie themes will find this appealing. The protagonists are strong but not invincible, making them relatable as they face challenges together.
However, I must issue a strong warning: The content contains graphic violence, torture, rape, and unimaginable horrors. This is not a light read; it goes well beyond descriptions of violent acts. Reader discretion is highly advised.
The logic doesn't quite hold up – if the upper world values strength above all else, why aren't the strongest individuals in charge? The explanation given is that they gain their prowess through a 'killing game,' but their growth is minimal, and they merely kill. The supporting characters are portrayed shallowly, and when they die, the author dismisses them as mere plot devices.
The lack of significant obstacles or meaningful challenges for the MC is disappointing, considering the author's early emphasis on their starring role. The journey promised potential, but it turns out to be formulaic and clichéd, reminiscent of a poor adaptation of "The Hunger Games."
Death is treated rather casually in the narrative, with little graphic detail. Torture is mentioned vaguely, leaving the reader to imagine the scene. In one instance, a character tortures another during an Easter egg plot, but the author doesn't delve deeper, leaving readers uncertain about the true nature of the event.
In summary, the repetitive tropes and lack of depth in both character development and plot execution made the book unengaging for me.
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