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Die wolfslose und verwaiste Tania war im Leben einer Sklavin gefangen. Ein Teil ihres Geistes wurde von ihrem Herrn gefangen gehalten, um Kontrolle auszuüben. Um ihre Freiheit zu erlangen, ging sie den Handel ein, König Eltanin, den rücksichtslosesten und mächtigsten Alpha von Araniea, auszuspionieren.
König Eltanin mit seinen stürmischen Augen war dominant, arrogant und befehlshaberisch wie die Hölle. In einem Wettlauf gegen die Zeit, um seine Wölfe und sein Königreich vor dem Dämonenkönig Alpha Felis zu retten, trifft er auf Tania. Sie ist eine Spionin und die personifizierte Verlockung. Und nun muss sich Eltanin zwischen dem Schicksal seines Reiches und dem seiner Gefährtin entscheiden.
Wird Tania ihre Freiheit wählen und ihre Gefährtin zurückweisen? Oder wird sie das Einzige aufgeben, was sie jemals wollte?
Thesaurus-Definition von "Libertin": ausschweifend
Synonyme für libertinär: freidenkerisch, ausschweifend, ausschweifend, unmoralisch, lasziv
Meine anderen Romane sind:
Wilde Bekenntnisse: Adrianna und der Alpha (abgeschlossen)
Der Alphaprinz des Silbernen Halbmonds (Nominierung WSA 2021)
Ileus-Der dunkle Prinz (Silberne Auszeichnung WSA 2022)
Dunkler Hunger (5. Preis im Werwolf-Wettbewerb)
Das Cover gehört mir. Es ist eine Auftragsarbeit.
Künstler des Covers: Micehellwd
Herausgeber: Astromnia
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Popular Reviews
Regrettably, the artwork leaves much to be desired, typical of early-2000s yaoi styles, featuring blocky faces and unappealing lips. While it serves its purpose, it isn't a strong selling point. On the positive side, the female characters are attractive, and their attire surpasses what's often seen in other manga westerns. There's a notable presence of female characters, which is uncommon for both westerns and BL genres, and they're all quite likable. I particularly enjoyed Ted’s sisters. Regarding the main characters, Robin appears somewhat out of place in this world—his personality and thought processes feel distinctly Japanese, understandable given the writer's background. In contrast, the other leads, Sydney and Ted, along with the supporting cast, integrate more convincingly into the western setting, except for Ted's katana, which feels incongruous; a U.S. cavalry sword would have been more fitting, though still unusual. The villains are credible, and the ensemble cast interacts well.
Now, let's address what I suspect most readers are eager to hear about: the gay elements. Despite MAL labeling this series as erotica, there's no sexual content, and the romance is so understated that it can almost be overlooked. In fact, I'd argue this leans more towards "homoerotic fanservice" than an actual "gay romance." I'm uncertain if it qualifies as queerbaiting—I remain undecided on that—but it certainly didn't meet my expectations as a queer individual fond of westerns. Not every story needs to emulate Gemma Files’ Hexslinger trilogy, but investing some effort into crafting a plausible relationship would have been beneficial.
In summary, Macaroni was a fairly enjoyable read. The characters were appealing, and the story engaging. Its primary shortcomings were the subpar male character designs and the romantic undertones that left a sour taste. I believe the story would have fared better had the author crafted it as a straightforward western devoid of romance altogether, rather than attempting to force in BL elements. Ted was correct in dismissing any romantic advances during his watch—a fantastic example of aro representation, indeed. So, there is something here for the queer community after all. Although Macaroni wasn't exactly what I hoped for, it wasn't an unpleasant way to spend an hour or so.<p>
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The plot is fairly straightforward (since the manga isn't very long). The characters are amiable and realistic. I found the humor to be quite amusing. The art style was a bit irritating at first, but I quickly got used to it.
Overall, it's not exceptionally amazing or original, but it's pretty good, and I genuinely enjoyed it!!! ^^<p>
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