Ye Fan suddenly became the villain’s mother after transmigrating into a novel. She fell into a scheme and gave birth to the villain, the son of ‘Film Emperor’ He Han who had no knowledge of having a child.
Ye Fan was a stand-in for a famous young actress, and the person she had to film an intimate scene with actually happened to be that ‘Film Emperor’.
The original Ye Fan abandoned her son, and when the matter was revealed to the public, she was completely drowned in hate by the netizens. Fortunately, the villain son had yet to grow up, and the ‘Film Emperor’ knew nothing about it.
So all Ye Fan needed to do was raise her child with the mentality of a buddha.
However, on the film debut right after an award ceremony, the matter of Ye Fan’s illegitimate child was exposed, shocking the entire net.
It was something completely unexpected.
He Han, the prince of silver screen, who had always kept a clean and self-conscious image had a press conference that very day.
“There is something I’ve been hiding from everyone. I have a three-year-old child.”



The author's excessive emphasis on Ye Fan's love for Dudu was another aspect that detracted from the story. His decision to forgo having more children solely due to Dudu's lack of jealousy was unrealistic and overshadowed the plot. Despite these drawbacks, the protagonist's unique perspective and inner thoughts were commendable aspects of the novel.
Some might find it less exciting, but the MC's practical approach to handling unexpected challenges, like dealing with haters, and her gradual growth into her new role as a mother adds a depth to her character that's truly commendable.
Here's a bit of a spoiler: The MC finds herself transported into a novel as the single mother (originally a supporting character) of the antagonist. The father, a famous and wealthy figure, is absent. Given her circumstances and the morally questionable nature of the original pregnancy, it makes sense that she wouldn't pursue him.
What really tugs at my heartstrings is her instant connection with the original owner's son, a three-year-old named Dudu. As an orphan in her past life, having a child she considers her "most important person" becomes a central theme. She works tirelessly to provide for them and shape him into a good person, steering him away from the villainous path he was destined for.
While there is a love interest (the baby's father), their relationship development isn't the main focus. The novel primarily revolves around the MC's career growth and adjusting to motherhood, with her son taking center stage over the male lead.
The translation for this novel is top-notch – it's a delightful, sweet read that I wholeheartedly recommend. Many thanks to the author and translator for creating such a charming story! ????
The antagonists are disappointingly one-dimensional, reducing the main characters to mere attractive but shallow personas. Their actions lack depth, and the villains are portrayed as inherently evil due to a convoluted backstory involving a switched-at-birth scenario. The villainess's parents are conveniently evil, and the MC's upbringing is conveniently portrayed as the sole reason for her goodness, ignoring the influence of environment.
If you can overlook these flaws, the translation is commendable. The MC is likable, not spineless, and her interactions with her baby are heartwarming. The male lead hasn't been overly cruel so far. Overall, I'd give it three stars.