Mild spoilers! It's challenging to discuss the story or characters without revealing something...
"What makes Steel Ball Run so hyped?" This is a question often pondered by those unfamiliar with the series.
This part largely eliminates stands and focuses more on stand abilities, meaning it's more about the user fighting than the actual stand. Guns pose a real threat for the first time in the series in a while, and stands are much weaker—Gyro doesn't even have a stand throughout this part. The battle against the main villain is exceptionally well-crafted, with both sides showcasing intriguing abilities. Gyro and Johnny's friendship is also beautifully developed, and both are likable characters.
And "Why is Steel Ball Run so good?"
It's one of the most maturely written JoJo stories in the entire saga. It's quite dark, featuring what could be considered the least morally good JoJo. Unlike previous parts where the goal was either saving the world or stopping Dio and his minions, Johnny's motivation throughout the story is mostly selfish. Some fans might argue that Valentine is more justified in his actions as the antagonist than Johnny is as the main protagonist.
Additionally, the setting fully capitalizes on the fact that it's a race spanning all of the USA in the 19th century. You encounter various locales and a unique array of enemies that Johnny and Gyro face, participants from all over the world who came to take part in the Steel Ball Run. I could elaborate on how Valentine is written as a very likable villain, how Diego transcends the "I'm evil because I can" stereotype his original character had, the uniqueness of the story behind the stands and the spin, and many other aspects.
The most crucial point is that Araki did an outstanding job rebooting the JoJo universe with SBR. If anything, Part 7 is his magnum opus.
Yep, that's it. I've finished reading the beloved and acclaimed best part of JoJo's Bizarre Adventure...
What a journey! I enjoyed every bit of it, from the story (the concept of a horse race through late 1800s America and the twist of Jesus's corpse being the real objective), the characters (I especially appreciated Hot Pants and her chemistry with Johnny, but also Sandman who is the absolute madlad, or even minor stand users such as Mr. Blackmore or Ringo) to the entertaining stand fights and the stunning landscapes shown throughout the race.
I must say I really enjoyed the character of Lucy, a kind of "Part 7 Hayato," who endured numerous traumatic experiences but never gave up. Moreover, her relationship with her husband was truly touching and cute in my opinion.
Then there's Valentine, the perfect villain: behind an evil and selfish goal lies a strong sense of patriotism, which couldn't overcome the thirst for power and control. D4C was a reaaaally OP Stand that was absolutely wonderfully utilized to create thrilling fights with the protagonists.
And finally, oh boy, oh Gyro, such a deep character. He demonstrated many traits expected of a JoJo character (a difficult yet moving background, courage, wit, a noble objective, humor, occasional sadness, and more). But it went much deeper than that, and Gyro was the perfect counterpart for Johnny.
Their relationship works so well it becomes almost surreal. Two strangers, different nationalities, different backgrounds, yet perfectly suited for each other. I absolutely loved the joke/song moments where Gyro put his whole heart into it only to be met with a cold yet amused Johnny, sometimes even adding to the ridiculous situation.
Johnny was an interesting JoJo to follow. He began the adventure for himself, continued for himself too, but couldn't resist his feelings when dealing with other characters like Hot Pants or Sandman. Above all, his genuine friendship with Gyro is what made him strong enough to continue on his quest for the corpse's parts.
The protagonist is complex
The main allies are fascinating
The villain is believable
Even the throwaway villains are captivating, especially Ringo Roadagain
The artwork is exceptional (as per usual)
The Stand battles are brilliantly choreographed
And Pulp Fiction reference...
Yep, like everyone who reads, we can agree to say it was a bizarre yet amazing adventure! A cripple who likes balls, an Italian executioner, a cross-dressing nun, and a dinosaur man race across America, finding Jesus's Corpse Parts, and fighting the president with neat hair.
- From JoJo Part 2, I can pick a part that deserves a 10, and here it is.
- JoJo Part 7 is undoubtedly my favorite JoJo, and the Steel Ball Run manga was one of the best I've ever read.
- I'm eagerly anticipating the anime adaptation (though it will take a while, XD).
- Johnny is the best JoJo.
- Gyro is the best BroJo.
Story: 9
The theme is quite distinct and disconnected from other JoJo parts (though not unprecedented). The idea of crossing the US in a high-stakes horse race seemed like it wouldn't be very engaging for a JoJo story, but I'm glad I was wrong. The concept works incredibly well, and the journey is more rewarding than the conclusion, which is still excellent. There were some great arcs and good fights (others less so), but overall, it provides a solid foundation for the theme.
Art: 9
There's little to criticize about the art. For me, SBR showcases the best version of Araki's style. While some panels may look odd, most pages are stunningly beautiful and consistent. The covers are also spectacular.
Characters: 10
This is one of SBR's strongest aspects. The characters are fantastic. Johnny might seem dull initially, but he evolves into an extraordinary protagonist by the end, making him the best JoJo to me. Gyro is charismatic and well-developed, and their friendship is the heart of the manga. Lucy, despite being underutilized, remains intriguing. Pocoloco adds comic relief through various events during the race, and Valentine, though despicable, has decent motivations. It's unnecessary to comment on the unique designs of the characters since, after seven parts, I understand Araki's artistic vision. Regarding stands, while they follow the standard formula and some enemy stand users are lackluster, others like "Mandom" stand out. The protagonists' stand excels in both design and functionality, and Valentine's stand is also well-conceived.
Overall: 10
In summary, this is the best JoJo part for me, featuring the best protagonist, best BroJo, and I won't say the best villain because Yoshikage Kira from Part 4 holds that title for me. The structure of Part 7 is excellent and works well, especially from Chapter 55 onward, where the manga enters its peak phase until the end. Although I hoped for more from the conclusion, it's acceptable. In short, read Steel Ball Run!
<p>Is it widely agreed that Jojo Part 7 is the pinnacle of the Jojo series? While I personally prefer Part 4, I can't deny the prevailing opinion. Part 7 is an incredible experience in every chapter. Araki's artwork has significantly matured over his 20 years of working on JoJo. Steel Ball Run delivers stunning visuals, especially in its colored scans. The protagonist, Johnny Joestar, stands out as one of the more intriguing and complex JoJos. Unlike most JoJos, excluding Giorno, who are reluctant to kill, Johnny isn't afraid to do so if necessary; his eyes are often described as those of a killer. This makes him one of the more morally ambiguous JoJos. Yet, he still embodies that JoJo sense of heroism; Johnny doesn't want evil forces to triumph. His disability plays a crucial role in the story, motivating him to join the race in hopes of regaining his ability to walk. He isn't the central focus for most of the part, which is largely occupied by the charming Gyro Zeppeli. Despite this, Johnny emerges as one of my favorite JoJos, ranking just below Joseph. Gyro is exceptional too; he participates in the race for unselfish reasons and introduces a new form of Hamon: the Spin, represented through his Steel Balls. While I can't fully explain how they function, it's an exciting combat method. Stands are present as well, though less prevalent and only attainable through interaction with the Corpse. Any review would be incomplete without addressing the antagonist, Funny Valentine. I wouldn't label him a villain, as his plan for the Corpse isn't driven by selfish gain but aims to improve America. However, his desires cloud his judgment, and he won't hesitate to eliminate anyone standing in his way. His Stand is among the more intricate ones, making it challenging to defeat. Dio in this part surpasses his Part 3 counterpart. Dio exhibits a depth that prevents him from being purely evil; he might be somewhat arrogant, but he's nothing like DIO. Dio here is more sympathetic due to his backstory, and his reason for participating in the race is compelling. This makes him a far more interesting rival for Johnny to confront, as he isn't a two-dimensional villain solely obsessed with being the best (unless Part 6 retcons this). While Dio also seeks to be the best, it's more about showcasing his superiority. 10/10, but don't jump straight to this part.</p>
Steel Ball Run is more than just a continuation of the JoJo's formula or the previous stories in the series. Taking place in an alternate universe, Johnny Joestar embarks on a journey that challenges and redefines the foundations set by the prior universe. With its remarkable pacing, compelling writing, and dynamic story progression, Steel Ball Run captivates readers with an unforgettable ensemble cast and an enthralling plot. No amount of words can fully express how highly I recommend this manga—it is undeniably a masterpiece.
The distinctive JoJo art style evolves in Steel Ball Run, giving the manga a polished, sophisticated, and emotionally expressive aesthetic.
Moreover, the carefully crafted dialogue ensures even minor characters feel multidimensional, possessing both flaws and strengths to admire. Every character responds authentically to their situations, enhancing the realism of the story and making it all the more engaging.
<p>
Story - 9/10
I’ll be honest. The story seemed a bit slow to me at first, but once I got into it, I binged the HELL out of it until there was nothing left to read. The plot is incredible and leaves you craving more. Even though I was spoiled on part of it, it still had me completely hooked.
Art - 10/10
While the art can occasionally feel "Duwang-ish," for the most part, it’s absolutely stunning. Araki poured all his talent into this work, and it shows.
Character - 10/10
This section will be longer than the others. SBR has an antagonist, but no true villain. Every character acts based on their own selfish motivations, which makes it easy to understand why they do what they do. Valentine was definitely the main adversary in SBR, but he was far from being a typical villain. Despite being the President of the United States, his character was incredibly enjoyable whenever he appeared. The same goes for other characters like Johnny, Gyro, and Diego.
Enjoyment - 10/10
Top-tier entertainment.
Overall - 10/10
At first, I questioned why people claimed SBR is the best part of JoJo. After reading it, I now see exactly why they’re right. Aside from DIU, this is my favorite JoJo arc. It’s definitely worth taking a year to catch up just to experience this masterpiece.
One of the best mangas I've ever read in my life, thanks Araki.
The plot of Steel Ball Run revolves around Johnny Joestar, a former horse racing jockey who loses the use of his legs in an accident. Johnny partners with a gunslinger named Gyro Zeppeli to compete in the Steel Ball Run, a grueling horse race spanning across the United States. As they advance through the race, Johnny and Gyro face numerous dangerous adversaries and unravel a conspiracy tied to the location of a mystical artifact.
The storytelling is remarkable, with a gradual yet essential beginning. Many manga artists might view this as a drawback in their narratives due to insufficient development, but not Araki.
This part is renowned for its emphasis on action and adventure, featuring some of the most thrilling and emotionally charged battle sequences in the entire series. The story incorporates Western themes and delves into U.S. history, offering a distinct and fresh atmosphere compared to earlier parts.
The characters are another shining highlight of this manga. Not only do we encounter some of the greatest protagonists in Jojo's history, but they are among the best you could hope to meet in any work of fiction.
The conclusion of Part 7 ranks among the finest and most sublime endings in any Manga or Anime. It’s historic for this medium.
Steel Ball Run is likely the pinnacle, or at least the manga representation, of the "weird west" genre. Beneath all the graphic action, constantly evolving plotlines, outrageous concepts, and over-the-top "fabulousness" of the visuals, there lies a surprising amount of humor and heartfelt moments. If you can find a good translation and give it a try, it’s definitely worth exploring. Just be ready for an abundance of strangeness.
I used to not get the Jojo craze at all. The art wasn't my style, and it felt like an exaggeration of the shounen genre. I managed to finish the first season, but I couldn't make myself enjoy it.
Then I read a SBR review suggesting it as a great starting point for the series, and they were absolutely right.
The story, art, characters, and overall enjoyment all rate a 10 for me. No manga I've ever read deserves the title of "masterpiece" more than this one. I'm not sure if it was short or just so captivating that I lost track of time while reading it—either way, it was superb!
This manga even helped me appreciate the quirks of Jojo, and now I plan to read all the parts I didn't watch (from Part 3 onward).
Every character is likable, and I loved how unique the plot is—a manga about a HORSE RACE?! That's wild, and I never expected to enjoy it as much as I did. It's definitely worth reading, no matter who you are.
Wow, okay. When people said the writing in this part of the series was the best, I never really believed it until now. Johnny and Gyro have one of the most compelling friendship dynamics since Goku and Krillin from the original Dragon Ball.
Speaking of characters, I felt a lot of sympathy for Johnny and admiration for Gyro. Johnny gets paralyzed and loses his fame just for skipping a line and screwing a kid over. Sure, he was a jerk, but in my opinion, that's one of the most disproportionate punishments I've ever seen. As someone who's been trapped by crushing expectations and societal pressures, I can relate to Gyro's struggle to break free and do what he truly believes is right. He's actually become my second favorite character in the series, just below Jonathan.
The rival Diego is also one of my favorite JoJo characters, ranking up there with PB Dio Brando. His motivations are realistic, and unlike PB Dio, he seems to have a moral compass, showing regret for some of his actions, like betraying Wekapipo. However, I hate how he died.
Regarding deaths, that's one of my main issues with this part. At the beginning, characters' influences are still felt, like Ringo. But by the end, you have Diego getting flattened and only mentioned twice before being forgotten, Hot Pants falling off the train and not even being mentioned again, Valentine, a JoJo villain known for horrific fates, simply getting shot to death, and Gyro, a Zeppeli who could survive being cut in half and an instant-kill attack, dying from fish bites and scratches to his heart. It doesn't exactly feel like the blaze of glory other Zeppelis got. Also, AU Diego's death felt like a copout.
Valentine, as a villain, does his job, but considering his philosophy, I ended up confused by his earlier actions. If he was as patriotic as his later chapters reveal, wouldn't he want the best for all his citizens with as little bloodshed as possible? It made sense why he targeted Johnny, but everyone else was serving him faithfully (with the probable exception of Diego).
But overall, I like the dynamic between the heroes and antagonists.
Shifting towards the art style, I loved the beginning and middle of the part. I started disliking it around Chapter 90, but since that was near the end, it didn't bother me too much.
My biggest complaint is the ending fight. Introducing AU Diego at the very end left a sour taste in my mouth. If he had been introduced during the Valentine fight, I wouldn't mind so much. But having him be Johnny's last opponent doesn't fit considering Johnny's entire drive as a starting jockey was to defeat Diego and prove his father wrong. It would've been better if RU Diego was the last opponent. I didn't mind Johnny losing the race at the end; it was him getting disqualified and losing to Diego that bothered me—not even the same Diego at that. Why not have Johnny and Diego go for a fair race at the end and lose in the last round, finishing something like 4th and 5th respectively? As stated earlier, Diego gets killed in what feels like a BS way. He gets jumped by Lucy (considering this guy is more like PB Dio, he should've just killed her outright) and dies without any real motive or goal that made me care about him.
TL;DR: Johnny and Gyro are awesome, Diego and Lucy are great characters, AU Diego feels like a copout, Valentine or RU Diego should've been the last villain. So, I give Steel Ball Run a 10/10.
I initially wrote a review for Steel Ball Run, but I removed it because it no longer aligned with my current perspective on this manga. What started as a story I deeply respected has now become my favorite tale of all time. Combined with my admiration for JoJo as a whole, this narrative has significantly influenced my values and appreciation for manga as an art form. Consequently, my ability to craft concise yet comprehensive reviews often falls short of conveying the depth of my personal affection for this story. Additionally, my self-imposed restriction against delving into the main characters in detail (as that would extend this review indefinitely) renders it, by my standards, woefully incomplete. Despite these limitations, I still have much to say about this masterpiece, so let's proceed.
Steel Ball Run unfolds in an alternate universe to the first six parts of JoJo, a fact that some readers tend to dwell on, which frankly irritates me. Hirohiko Araki has consistently demonstrated his ability to craft stories that diverge from the central canon of the Joestar bloodline's conflict with Dio (as seen in Parts 2, 4, and 5). What sets Part 7 apart is Araki's ambition to break away from his decade-long saga and create a genuine Western narrative akin to his early work, "Poker Under Arms." His inherent passion for the Western setting significantly contributes to the meticulously crafted world of Part 7, though it is not solely responsible for its extraordinary beauty. The integration of Stands, Spin mechanics, the mummified remains of Jesus Christ, and various unexplained oddities like the zombie horse imbues the world of Steel Ball Run with its unique edge. Yet, what elevates the setting from remarkable to revolutionary is the manner in which our heroes traverse it. The race serves as a catalyst for exploration, ensuring the transitions between locations feel natural and seamless. Coupled with Araki's meticulous attention to detail, superbly conveyed through his distinctive art style, the distorted reimagining of my homeland comes vividly to life.
Even if we were to disregard the exceptional quality of the setting, Steel Ball Run would still stand as a masterpiece due to its characters—a facet I've emphasized in forums as the most crucial element of storytelling for me. While the series does feature some less memorable characters such as Sandman, Mountain Tim, the Boom Boom family, Mrs. Robinson, Mike O., Oyecomova, Pork Pie Hat Kouzou, and brief cameos, I believe a good character fulfills their role within the narrative while offering something intriguing about their personality. Characters like Disco, Dr. Ferdinand, Scarlet Valentine, and Magenta Magenta may not be major figures, but they do not overstay their welcome and are meaningfully connected to the protagonists. Beyond these instances, which are quickly forgotten after the Ultra Jump transition, Araki excels at creating fascinating characters who neither overshadow the main cast nor fail to leave a lasting impression on both the audience and the primary characters. Pocoloco, a man with one-in-a-million luck who trusts in it to win the entire race outside the central conflict, ties into the recurring theme of fate in JoJo. Blackmore embarks on a mini-arc driven by his growing desire to claim the corpse's spine for himself, which ultimately backfires, prompting him to reaffirm his goals and pursue Lucy Steel—his striking design and mannerisms make him a fan favorite. Steven Steel collaborates with the president to organize the race but later shifts his priorities to protect Lucy Steel from the president, culminating in Lucy Steel's body being entrusted to Gyro as a last-ditch effort to defeat Funny Valentine. The relationship between Steven Steel and Lucy Steel adds depth to both characters, while Lucy's own arc enriches her portrayal. The battle with Axl Ro marks a pivotal moment in Johnny's development, as he must confront and overcome his past traumas, emerging as a transformed individual—symbolized by the evolution of his Stand, Tusk Act 3. Hot Pants, once a nun who sacrificed her brother to save herself, joins the race to collect the corpse parts in hopes of absolving her sins. Her motivations, distinct from the rest of the cast, lead to compelling interactions with Johnny, Gyro, and Diego. Wikapipo begins as an antagonist to Gyro and Johnny, seeking vengeance for the widowing and blinding of her sister at the hands of the Zeppeli family. However, upon learning that Gyro did everything possible to save her sister and that her blindness spared her from execution, Wikapipo switches sides, aiding in the protection of Lucy Steel with renewed determination. Individually, these characters might not be monumental, but their sheer number and the quality of their writing relative to their narrative importance underscore Araki's exceptional writing skills. But we haven't even discussed Ringo Roadagain yet.
Ringo Roadagain represents the finest minor antagonist fight I've ever encountered. It masterfully blends backstory, engaging mechanics, character motivation, development, and stunning artwork into an unforgettable experience. As a child, Ringo suffered from hemophilia, a condition that confined him to bed while his father was drafted into the Civil War. One fateful night, a robber invaded his home, killing his mother and older sister. Intending to assault young Ringo, the robber inadvertently placed his gun within reach. In a desperate bid for survival, Ringo grabbed the weapon, only for his hemophilia to trigger a nosebleed that impaired his aim. During the ensuing standoff, the robber lunged at Ringo with a knife as he fired the gun, miraculously surviving the encounter. Upon regaining consciousness, Ringo discovered that his hemophilia had been cured. With this newfound strength, Ringo entered "the true man's world," dedicating himself to constant duels in pursuit of self-improvement and adherence to his ideals. However, the caveat of "the true man's world" is its inevitable path to death. When Gyro defeats Ringo Roadagain, he too enters "the true man's world," marking a significant turning point in Steel Ball Run. Previously unsure of himself—cocky, arrogant, and altruistic yet bound by his father's teachings during his days as an executioner—Gyro now charts his own course toward personal fulfillment. This transformation is evident when, in the subsequent fight, he outpaces Diego Brando's heightened dinosaur senses by adhering to the path he believes in. Ultimately, Gyro pardons the child, living according to the ideals he cherished and passing them on to Johnny as he succumbs to the bullet wound inflicted by Valentine rather than stepping into Love Train's light.
Every character I've mentioned shares a connection with at least one of our five main characters, and their interactions further enrich their already impressive portrayals. Regrettably, I cannot delve into the main characters here, as doing so would extend this review excessively. You'll simply have to trust me when I say that the bond shared between Ringo Roadagain and Gyro exists, albeit in smaller yet varied forms, among the rest of the cast—the most apparent example being Axl Ro and Johnny. This doesn't even touch upon the pre-existing relationships among the main characters themselves, but once again, you'll have to take my word for it.
In summary, Steel Ball Run boasts some of the finest writing in the series, featuring characters of near-limitless complexity, accompanied by artwork that flawlessly captures the essence of its setting. This is a story I will never forget, and I eagerly anticipate its eventual animation.
If anyone is considering reading Steel Ball Run, I suggest tempering your expectations, as it might not be to everyone's taste. I've encountered individuals who were initially thrilled and excited about diving into Steel Ball Run. Ultimately, they felt let down, perceiving it as over-hyped and failing to meet their anticipations. To those contemplating reading the manga, I recommend accepting it for what it is, embracing its flow without being consumed by the hype.
Without further ado, here is my review of Steel Ball Run.
「STORY」 - 9/10
Steel Ball Run may not captivate immediately, yet it's rewarding to encounter familiar names from the JoJo universe. The narrative gains momentum once stand battles commence. The story arcs are meticulously crafted, complemented by a stellar ensemble of minor characters.
「ART」 - 8/10
Hirohiko Araki revisits the artistic style from Part 6, refining it as the story unfolds. Here, we witness the evolution from Part 1's bodybuilder-inspired designs to Part 7's sleek Gucci models. Personally, I favor the latter due to its glamorous appeal, which harmonizes well with the storyline.
「CHARACTER」 - 10/10
Jonathan Joestar embodies a kind, tall, muscular English gentleman. While he might be likable in real life, his one-dimensional nature renders him less compelling in the manga/anime. In contrast, Johnny Joestar is a short, skinny, paraplegic American with a sarcastic demeanor, often directed at friends and acquaintances, particularly Gyro.
Johnny's sole motivation stems from the possibility of regaining mobility, fueling his journey. This self-centered drive makes him relatable, as he isn't a conventional hero striving to save the world but someone focused on personal gain. His quirky mentor adds an entertaining dynamic to the narrative.
Diego Brando, Dio's reincarnation, emerges as a superior antagonist, possessing genuine motives for conflict, unlike his inherently evil counterpart. The true standout, however, is Funny Valentine. Despite his immoral objectives, his actions stem from a desire to elevate his country as President, contrasting Johnny's aim to strengthen his weakened legs. This duality evokes support for both characters, prompting me to award a perfect score of 10/10, though I'd grant an 11 if possible.
「ENJOYMENT」 - 9/10
Not much remains unsaid, as my admiration for the manga has been expressed throughout this review. Nonetheless, no other JoJo parts have resonated with me as profoundly; they were merely enjoyable reads. Steel Ball Run excels by introducing a novel approach to stand combat, where users engage more directly in battles, heightening vulnerability and raising stakes. JoJo's reputation for being over-the-top is well-deserved.
「OVERALL」 - 9/10
I'm grateful I avoided spoilers while reading Steel Ball Run, making it an engaging and delightful experience. I wholeheartedly recommend it, provided readers heed my initial advice. For those constrained by time, having someone summarize the story is also worthwhile.
If I were to rank all JoJo's Bizarre Adventure parts from favorite to least favorite, excluding Part 8 due to its unfinished state at the time of writing, my order would be: 7 > 5 > 4 > 2 > 1 > 3.
On numerous forums, I've come across glowing reviews of Steel Ball Run as an "Absolutely amazing manga," "easily the best Jojos and epitomizing everything about that 'style' of comic," and "From the art to story 10/10. Best thing I've ever read." However, after finishing it, I can't genuinely say I understand its appeal. The characters seemed underdeveloped and rather dull, the combat often hinged on pure "luck" instead of strength or strategy, and the plot was tediously simple.
The story - Going in, I wasn't anticipating a narrative masterpiece, but I expected a captivating tale. I was sorely let down. There's essentially no depth beyond "I want to win the race" or "I want to assemble the corpse." The concept of the corpse could have been an intriguing element, but aside from being a coveted object with some minor abilities, it was barely explored. The story was almost entirely consumed by relentless fighting, leaving little room for actual storytelling. It followed a stereotypical shounen formula.
Fighting - A few fights—about three or four—were resolved by sheer luck, which left a sour taste in my mouth. In real-life fights, chance might play a role, but the author emphasizes "luck" as a primary reason for the protagonist's victories, something I find perplexing. The villain does everything correctly, yet due to an improbable event, the hero triumphs! Once might be forgivable, but when it happens repeatedly, it becomes frustrating. I don't understand why the author glorifies plot armor, but it caused me to lose emotional investment in both the fights and the characters. Additionally, powers were highly inconsistent—while one character hit by ability X would disintegrate instantly, the main character somehow had nearly 10 seconds to strategize and escape. This occurred in almost every fight. The level of plot armor in this manga was absurd.
Characters - After 22 volumes, I felt virtually no emotional connection to any of the characters. I believe this is because the manga is overwhelmingly dominated by combat. Whenever there weren't flashback scenes or racing sequences, the characters were invariably fighting, leaving little room for personality exploration or development. I think the manga missed a significant opportunity here; there were a few forced and unconvincing moments where a character made a "joke," but beyond that, there wasn't much to showcase their personalities. Most of them felt like generic good guys who just happened to be on opposing sides. Each antagonist received a brief explanation of why they weren't truly "evil" before being thrust into conflict with the protagonists to be defeated.
Overall, this manga felt like a run-of-the-mill shounen. No compelling characters, no emotional resonance, no engaging storyline—just endless fighting, some of which was decided by plot armor. I wouldn't recommend it.
spoilers for this 18-year-old manga btw
I absolutely adored this part of JoJo; this era of Araki's art is some of my favorite art I've ever seen in my life, and the characters and story are incredible to boot. Johnny and Gyro are my favorite JoJo duo, and their interactions are pure gold.
The story takes a few chapters to gain momentum, but once it gets going, it becomes impossible to put down, especially when the main villain starts making moves and the holy corpse plotline really begins to pick up steam.
One of my complaints is that Pocoloco didn't get nearly enough screen time. He had a Stand for no apparent reason and won without much presence. But even so, I still love his character.
The absolute highlight was when Funny Valentine was killed, and the corpse was stolen by an alternate Diego Brando, whose Stand was The World (in what I think is its best design). He also had a reason for being there that wasn't contrived!
All in all, 10/10 manga, highly recommend it to both JoJo fans and non-JoJo fans alike.
Popular Reviews
"What makes Steel Ball Run so hyped?" This is a question often pondered by those unfamiliar with the series.
This part largely eliminates stands and focuses more on stand abilities, meaning it's more about the user fighting than the actual stand. Guns pose a real threat for the first time in the series in a while, and stands are much weaker—Gyro doesn't even have a stand throughout this part. The battle against the main villain is exceptionally well-crafted, with both sides showcasing intriguing abilities. Gyro and Johnny's friendship is also beautifully developed, and both are likable characters.
And "Why is Steel Ball Run so good?"
It's one of the most maturely written JoJo stories in the entire saga. It's quite dark, featuring what could be considered the least morally good JoJo. Unlike previous parts where the goal was either saving the world or stopping Dio and his minions, Johnny's motivation throughout the story is mostly selfish. Some fans might argue that Valentine is more justified in his actions as the antagonist than Johnny is as the main protagonist.
Additionally, the setting fully capitalizes on the fact that it's a race spanning all of the USA in the 19th century. You encounter various locales and a unique array of enemies that Johnny and Gyro face, participants from all over the world who came to take part in the Steel Ball Run. I could elaborate on how Valentine is written as a very likable villain, how Diego transcends the "I'm evil because I can" stereotype his original character had, the uniqueness of the story behind the stands and the spin, and many other aspects.
The most crucial point is that Araki did an outstanding job rebooting the JoJo universe with SBR. If anything, Part 7 is his magnum opus.
Yep, that's it. I've finished reading the beloved and acclaimed best part of JoJo's Bizarre Adventure...
What a journey! I enjoyed every bit of it, from the story (the concept of a horse race through late 1800s America and the twist of Jesus's corpse being the real objective), the characters (I especially appreciated Hot Pants and her chemistry with Johnny, but also Sandman who is the absolute madlad, or even minor stand users such as Mr. Blackmore or Ringo) to the entertaining stand fights and the stunning landscapes shown throughout the race.
I must say I really enjoyed the character of Lucy, a kind of "Part 7 Hayato," who endured numerous traumatic experiences but never gave up. Moreover, her relationship with her husband was truly touching and cute in my opinion.
Then there's Valentine, the perfect villain: behind an evil and selfish goal lies a strong sense of patriotism, which couldn't overcome the thirst for power and control. D4C was a reaaaally OP Stand that was absolutely wonderfully utilized to create thrilling fights with the protagonists.
And finally, oh boy, oh Gyro, such a deep character. He demonstrated many traits expected of a JoJo character (a difficult yet moving background, courage, wit, a noble objective, humor, occasional sadness, and more). But it went much deeper than that, and Gyro was the perfect counterpart for Johnny.
Their relationship works so well it becomes almost surreal. Two strangers, different nationalities, different backgrounds, yet perfectly suited for each other. I absolutely loved the joke/song moments where Gyro put his whole heart into it only to be met with a cold yet amused Johnny, sometimes even adding to the ridiculous situation.
Johnny was an interesting JoJo to follow. He began the adventure for himself, continued for himself too, but couldn't resist his feelings when dealing with other characters like Hot Pants or Sandman. Above all, his genuine friendship with Gyro is what made him strong enough to continue on his quest for the corpse's parts.
The protagonist is complex
The main allies are fascinating
The villain is believable
Even the throwaway villains are captivating, especially Ringo Roadagain
The artwork is exceptional (as per usual)
The Stand battles are brilliantly choreographed
And Pulp Fiction reference...
Yep, like everyone who reads, we can agree to say it was a bizarre yet amazing adventure! A cripple who likes balls, an Italian executioner, a cross-dressing nun, and a dinosaur man race across America, finding Jesus's Corpse Parts, and fighting the president with neat hair.
Thanks, Araki.
- JoJo Part 7 is undoubtedly my favorite JoJo, and the Steel Ball Run manga was one of the best I've ever read.
- I'm eagerly anticipating the anime adaptation (though it will take a while, XD).
- Johnny is the best JoJo.
- Gyro is the best BroJo.
Story: 9
The theme is quite distinct and disconnected from other JoJo parts (though not unprecedented). The idea of crossing the US in a high-stakes horse race seemed like it wouldn't be very engaging for a JoJo story, but I'm glad I was wrong. The concept works incredibly well, and the journey is more rewarding than the conclusion, which is still excellent. There were some great arcs and good fights (others less so), but overall, it provides a solid foundation for the theme.
Art: 9
There's little to criticize about the art. For me, SBR showcases the best version of Araki's style. While some panels may look odd, most pages are stunningly beautiful and consistent. The covers are also spectacular.
Characters: 10
This is one of SBR's strongest aspects. The characters are fantastic. Johnny might seem dull initially, but he evolves into an extraordinary protagonist by the end, making him the best JoJo to me. Gyro is charismatic and well-developed, and their friendship is the heart of the manga. Lucy, despite being underutilized, remains intriguing. Pocoloco adds comic relief through various events during the race, and Valentine, though despicable, has decent motivations. It's unnecessary to comment on the unique designs of the characters since, after seven parts, I understand Araki's artistic vision. Regarding stands, while they follow the standard formula and some enemy stand users are lackluster, others like "Mandom" stand out. The protagonists' stand excels in both design and functionality, and Valentine's stand is also well-conceived.
Overall: 10
In summary, this is the best JoJo part for me, featuring the best protagonist, best BroJo, and I won't say the best villain because Yoshikage Kira from Part 4 holds that title for me. The structure of Part 7 is excellent and works well, especially from Chapter 55 onward, where the manga enters its peak phase until the end. Although I hoped for more from the conclusion, it's acceptable. In short, read Steel Ball Run!
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The distinctive JoJo art style evolves in Steel Ball Run, giving the manga a polished, sophisticated, and emotionally expressive aesthetic.
Moreover, the carefully crafted dialogue ensures even minor characters feel multidimensional, possessing both flaws and strengths to admire. Every character responds authentically to their situations, enhancing the realism of the story and making it all the more engaging.
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I’ll be honest. The story seemed a bit slow to me at first, but once I got into it, I binged the HELL out of it until there was nothing left to read. The plot is incredible and leaves you craving more. Even though I was spoiled on part of it, it still had me completely hooked.
Art - 10/10
While the art can occasionally feel "Duwang-ish," for the most part, it’s absolutely stunning. Araki poured all his talent into this work, and it shows.
Character - 10/10
This section will be longer than the others. SBR has an antagonist, but no true villain. Every character acts based on their own selfish motivations, which makes it easy to understand why they do what they do. Valentine was definitely the main adversary in SBR, but he was far from being a typical villain. Despite being the President of the United States, his character was incredibly enjoyable whenever he appeared. The same goes for other characters like Johnny, Gyro, and Diego.
Enjoyment - 10/10
Top-tier entertainment.
Overall - 10/10
At first, I questioned why people claimed SBR is the best part of JoJo. After reading it, I now see exactly why they’re right. Aside from DIU, this is my favorite JoJo arc. It’s definitely worth taking a year to catch up just to experience this masterpiece.
The plot of Steel Ball Run revolves around Johnny Joestar, a former horse racing jockey who loses the use of his legs in an accident. Johnny partners with a gunslinger named Gyro Zeppeli to compete in the Steel Ball Run, a grueling horse race spanning across the United States. As they advance through the race, Johnny and Gyro face numerous dangerous adversaries and unravel a conspiracy tied to the location of a mystical artifact.
The storytelling is remarkable, with a gradual yet essential beginning. Many manga artists might view this as a drawback in their narratives due to insufficient development, but not Araki.
This part is renowned for its emphasis on action and adventure, featuring some of the most thrilling and emotionally charged battle sequences in the entire series. The story incorporates Western themes and delves into U.S. history, offering a distinct and fresh atmosphere compared to earlier parts.
The characters are another shining highlight of this manga. Not only do we encounter some of the greatest protagonists in Jojo's history, but they are among the best you could hope to meet in any work of fiction.
The conclusion of Part 7 ranks among the finest and most sublime endings in any Manga or Anime. It’s historic for this medium.
Steel Ball Run is likely the pinnacle, or at least the manga representation, of the "weird west" genre. Beneath all the graphic action, constantly evolving plotlines, outrageous concepts, and over-the-top "fabulousness" of the visuals, there lies a surprising amount of humor and heartfelt moments. If you can find a good translation and give it a try, it’s definitely worth exploring. Just be ready for an abundance of strangeness.
Then I read a SBR review suggesting it as a great starting point for the series, and they were absolutely right.
The story, art, characters, and overall enjoyment all rate a 10 for me. No manga I've ever read deserves the title of "masterpiece" more than this one. I'm not sure if it was short or just so captivating that I lost track of time while reading it—either way, it was superb!
This manga even helped me appreciate the quirks of Jojo, and now I plan to read all the parts I didn't watch (from Part 3 onward).
Every character is likable, and I loved how unique the plot is—a manga about a HORSE RACE?! That's wild, and I never expected to enjoy it as much as I did. It's definitely worth reading, no matter who you are.
11/10, Amazing!
Speaking of characters, I felt a lot of sympathy for Johnny and admiration for Gyro. Johnny gets paralyzed and loses his fame just for skipping a line and screwing a kid over. Sure, he was a jerk, but in my opinion, that's one of the most disproportionate punishments I've ever seen. As someone who's been trapped by crushing expectations and societal pressures, I can relate to Gyro's struggle to break free and do what he truly believes is right. He's actually become my second favorite character in the series, just below Jonathan.
The rival Diego is also one of my favorite JoJo characters, ranking up there with PB Dio Brando. His motivations are realistic, and unlike PB Dio, he seems to have a moral compass, showing regret for some of his actions, like betraying Wekapipo. However, I hate how he died.
Regarding deaths, that's one of my main issues with this part. At the beginning, characters' influences are still felt, like Ringo. But by the end, you have Diego getting flattened and only mentioned twice before being forgotten, Hot Pants falling off the train and not even being mentioned again, Valentine, a JoJo villain known for horrific fates, simply getting shot to death, and Gyro, a Zeppeli who could survive being cut in half and an instant-kill attack, dying from fish bites and scratches to his heart. It doesn't exactly feel like the blaze of glory other Zeppelis got. Also, AU Diego's death felt like a copout.
Valentine, as a villain, does his job, but considering his philosophy, I ended up confused by his earlier actions. If he was as patriotic as his later chapters reveal, wouldn't he want the best for all his citizens with as little bloodshed as possible? It made sense why he targeted Johnny, but everyone else was serving him faithfully (with the probable exception of Diego).
But overall, I like the dynamic between the heroes and antagonists.
Shifting towards the art style, I loved the beginning and middle of the part. I started disliking it around Chapter 90, but since that was near the end, it didn't bother me too much.
My biggest complaint is the ending fight. Introducing AU Diego at the very end left a sour taste in my mouth. If he had been introduced during the Valentine fight, I wouldn't mind so much. But having him be Johnny's last opponent doesn't fit considering Johnny's entire drive as a starting jockey was to defeat Diego and prove his father wrong. It would've been better if RU Diego was the last opponent. I didn't mind Johnny losing the race at the end; it was him getting disqualified and losing to Diego that bothered me—not even the same Diego at that. Why not have Johnny and Diego go for a fair race at the end and lose in the last round, finishing something like 4th and 5th respectively? As stated earlier, Diego gets killed in what feels like a BS way. He gets jumped by Lucy (considering this guy is more like PB Dio, he should've just killed her outright) and dies without any real motive or goal that made me care about him.
TL;DR: Johnny and Gyro are awesome, Diego and Lucy are great characters, AU Diego feels like a copout, Valentine or RU Diego should've been the last villain. So, I give Steel Ball Run a 10/10.
I initially wrote a review for Steel Ball Run, but I removed it because it no longer aligned with my current perspective on this manga. What started as a story I deeply respected has now become my favorite tale of all time. Combined with my admiration for JoJo as a whole, this narrative has significantly influenced my values and appreciation for manga as an art form. Consequently, my ability to craft concise yet comprehensive reviews often falls short of conveying the depth of my personal affection for this story. Additionally, my self-imposed restriction against delving into the main characters in detail (as that would extend this review indefinitely) renders it, by my standards, woefully incomplete. Despite these limitations, I still have much to say about this masterpiece, so let's proceed.
Steel Ball Run unfolds in an alternate universe to the first six parts of JoJo, a fact that some readers tend to dwell on, which frankly irritates me. Hirohiko Araki has consistently demonstrated his ability to craft stories that diverge from the central canon of the Joestar bloodline's conflict with Dio (as seen in Parts 2, 4, and 5). What sets Part 7 apart is Araki's ambition to break away from his decade-long saga and create a genuine Western narrative akin to his early work, "Poker Under Arms." His inherent passion for the Western setting significantly contributes to the meticulously crafted world of Part 7, though it is not solely responsible for its extraordinary beauty. The integration of Stands, Spin mechanics, the mummified remains of Jesus Christ, and various unexplained oddities like the zombie horse imbues the world of Steel Ball Run with its unique edge. Yet, what elevates the setting from remarkable to revolutionary is the manner in which our heroes traverse it. The race serves as a catalyst for exploration, ensuring the transitions between locations feel natural and seamless. Coupled with Araki's meticulous attention to detail, superbly conveyed through his distinctive art style, the distorted reimagining of my homeland comes vividly to life.
Even if we were to disregard the exceptional quality of the setting, Steel Ball Run would still stand as a masterpiece due to its characters—a facet I've emphasized in forums as the most crucial element of storytelling for me. While the series does feature some less memorable characters such as Sandman, Mountain Tim, the Boom Boom family, Mrs. Robinson, Mike O., Oyecomova, Pork Pie Hat Kouzou, and brief cameos, I believe a good character fulfills their role within the narrative while offering something intriguing about their personality. Characters like Disco, Dr. Ferdinand, Scarlet Valentine, and Magenta Magenta may not be major figures, but they do not overstay their welcome and are meaningfully connected to the protagonists. Beyond these instances, which are quickly forgotten after the Ultra Jump transition, Araki excels at creating fascinating characters who neither overshadow the main cast nor fail to leave a lasting impression on both the audience and the primary characters. Pocoloco, a man with one-in-a-million luck who trusts in it to win the entire race outside the central conflict, ties into the recurring theme of fate in JoJo. Blackmore embarks on a mini-arc driven by his growing desire to claim the corpse's spine for himself, which ultimately backfires, prompting him to reaffirm his goals and pursue Lucy Steel—his striking design and mannerisms make him a fan favorite. Steven Steel collaborates with the president to organize the race but later shifts his priorities to protect Lucy Steel from the president, culminating in Lucy Steel's body being entrusted to Gyro as a last-ditch effort to defeat Funny Valentine. The relationship between Steven Steel and Lucy Steel adds depth to both characters, while Lucy's own arc enriches her portrayal. The battle with Axl Ro marks a pivotal moment in Johnny's development, as he must confront and overcome his past traumas, emerging as a transformed individual—symbolized by the evolution of his Stand, Tusk Act 3. Hot Pants, once a nun who sacrificed her brother to save herself, joins the race to collect the corpse parts in hopes of absolving her sins. Her motivations, distinct from the rest of the cast, lead to compelling interactions with Johnny, Gyro, and Diego. Wikapipo begins as an antagonist to Gyro and Johnny, seeking vengeance for the widowing and blinding of her sister at the hands of the Zeppeli family. However, upon learning that Gyro did everything possible to save her sister and that her blindness spared her from execution, Wikapipo switches sides, aiding in the protection of Lucy Steel with renewed determination. Individually, these characters might not be monumental, but their sheer number and the quality of their writing relative to their narrative importance underscore Araki's exceptional writing skills. But we haven't even discussed Ringo Roadagain yet.
Ringo Roadagain represents the finest minor antagonist fight I've ever encountered. It masterfully blends backstory, engaging mechanics, character motivation, development, and stunning artwork into an unforgettable experience. As a child, Ringo suffered from hemophilia, a condition that confined him to bed while his father was drafted into the Civil War. One fateful night, a robber invaded his home, killing his mother and older sister. Intending to assault young Ringo, the robber inadvertently placed his gun within reach. In a desperate bid for survival, Ringo grabbed the weapon, only for his hemophilia to trigger a nosebleed that impaired his aim. During the ensuing standoff, the robber lunged at Ringo with a knife as he fired the gun, miraculously surviving the encounter. Upon regaining consciousness, Ringo discovered that his hemophilia had been cured. With this newfound strength, Ringo entered "the true man's world," dedicating himself to constant duels in pursuit of self-improvement and adherence to his ideals. However, the caveat of "the true man's world" is its inevitable path to death. When Gyro defeats Ringo Roadagain, he too enters "the true man's world," marking a significant turning point in Steel Ball Run. Previously unsure of himself—cocky, arrogant, and altruistic yet bound by his father's teachings during his days as an executioner—Gyro now charts his own course toward personal fulfillment. This transformation is evident when, in the subsequent fight, he outpaces Diego Brando's heightened dinosaur senses by adhering to the path he believes in. Ultimately, Gyro pardons the child, living according to the ideals he cherished and passing them on to Johnny as he succumbs to the bullet wound inflicted by Valentine rather than stepping into Love Train's light.
Every character I've mentioned shares a connection with at least one of our five main characters, and their interactions further enrich their already impressive portrayals. Regrettably, I cannot delve into the main characters here, as doing so would extend this review excessively. You'll simply have to trust me when I say that the bond shared between Ringo Roadagain and Gyro exists, albeit in smaller yet varied forms, among the rest of the cast—the most apparent example being Axl Ro and Johnny. This doesn't even touch upon the pre-existing relationships among the main characters themselves, but once again, you'll have to take my word for it.
In summary, Steel Ball Run boasts some of the finest writing in the series, featuring characters of near-limitless complexity, accompanied by artwork that flawlessly captures the essence of its setting. This is a story I will never forget, and I eagerly anticipate its eventual animation.
Without further ado, here is my review of Steel Ball Run.
「STORY」 - 9/10
Steel Ball Run may not captivate immediately, yet it's rewarding to encounter familiar names from the JoJo universe. The narrative gains momentum once stand battles commence. The story arcs are meticulously crafted, complemented by a stellar ensemble of minor characters.
「ART」 - 8/10
Hirohiko Araki revisits the artistic style from Part 6, refining it as the story unfolds. Here, we witness the evolution from Part 1's bodybuilder-inspired designs to Part 7's sleek Gucci models. Personally, I favor the latter due to its glamorous appeal, which harmonizes well with the storyline.
「CHARACTER」 - 10/10
Jonathan Joestar embodies a kind, tall, muscular English gentleman. While he might be likable in real life, his one-dimensional nature renders him less compelling in the manga/anime. In contrast, Johnny Joestar is a short, skinny, paraplegic American with a sarcastic demeanor, often directed at friends and acquaintances, particularly Gyro.
Johnny's sole motivation stems from the possibility of regaining mobility, fueling his journey. This self-centered drive makes him relatable, as he isn't a conventional hero striving to save the world but someone focused on personal gain. His quirky mentor adds an entertaining dynamic to the narrative.
Diego Brando, Dio's reincarnation, emerges as a superior antagonist, possessing genuine motives for conflict, unlike his inherently evil counterpart. The true standout, however, is Funny Valentine. Despite his immoral objectives, his actions stem from a desire to elevate his country as President, contrasting Johnny's aim to strengthen his weakened legs. This duality evokes support for both characters, prompting me to award a perfect score of 10/10, though I'd grant an 11 if possible.
「ENJOYMENT」 - 9/10
Not much remains unsaid, as my admiration for the manga has been expressed throughout this review. Nonetheless, no other JoJo parts have resonated with me as profoundly; they were merely enjoyable reads. Steel Ball Run excels by introducing a novel approach to stand combat, where users engage more directly in battles, heightening vulnerability and raising stakes. JoJo's reputation for being over-the-top is well-deserved.
「OVERALL」 - 9/10
I'm grateful I avoided spoilers while reading Steel Ball Run, making it an engaging and delightful experience. I wholeheartedly recommend it, provided readers heed my initial advice. For those constrained by time, having someone summarize the story is also worthwhile.
If I were to rank all JoJo's Bizarre Adventure parts from favorite to least favorite, excluding Part 8 due to its unfinished state at the time of writing, my order would be: 7 > 5 > 4 > 2 > 1 > 3.
The story - Going in, I wasn't anticipating a narrative masterpiece, but I expected a captivating tale. I was sorely let down. There's essentially no depth beyond "I want to win the race" or "I want to assemble the corpse." The concept of the corpse could have been an intriguing element, but aside from being a coveted object with some minor abilities, it was barely explored. The story was almost entirely consumed by relentless fighting, leaving little room for actual storytelling. It followed a stereotypical shounen formula.
Fighting - A few fights—about three or four—were resolved by sheer luck, which left a sour taste in my mouth. In real-life fights, chance might play a role, but the author emphasizes "luck" as a primary reason for the protagonist's victories, something I find perplexing. The villain does everything correctly, yet due to an improbable event, the hero triumphs! Once might be forgivable, but when it happens repeatedly, it becomes frustrating. I don't understand why the author glorifies plot armor, but it caused me to lose emotional investment in both the fights and the characters. Additionally, powers were highly inconsistent—while one character hit by ability X would disintegrate instantly, the main character somehow had nearly 10 seconds to strategize and escape. This occurred in almost every fight. The level of plot armor in this manga was absurd.
Characters - After 22 volumes, I felt virtually no emotional connection to any of the characters. I believe this is because the manga is overwhelmingly dominated by combat. Whenever there weren't flashback scenes or racing sequences, the characters were invariably fighting, leaving little room for personality exploration or development. I think the manga missed a significant opportunity here; there were a few forced and unconvincing moments where a character made a "joke," but beyond that, there wasn't much to showcase their personalities. Most of them felt like generic good guys who just happened to be on opposing sides. Each antagonist received a brief explanation of why they weren't truly "evil" before being thrust into conflict with the protagonists to be defeated.
Overall, this manga felt like a run-of-the-mill shounen. No compelling characters, no emotional resonance, no engaging storyline—just endless fighting, some of which was decided by plot armor. I wouldn't recommend it.
I absolutely adored this part of JoJo; this era of Araki's art is some of my favorite art I've ever seen in my life, and the characters and story are incredible to boot. Johnny and Gyro are my favorite JoJo duo, and their interactions are pure gold.
The story takes a few chapters to gain momentum, but once it gets going, it becomes impossible to put down, especially when the main villain starts making moves and the holy corpse plotline really begins to pick up steam.
One of my complaints is that Pocoloco didn't get nearly enough screen time. He had a Stand for no apparent reason and won without much presence. But even so, I still love his character.
The absolute highlight was when Funny Valentine was killed, and the corpse was stolen by an alternate Diego Brando, whose Stand was The World (in what I think is its best design). He also had a reason for being there that wasn't contrived!
All in all, 10/10 manga, highly recommend it to both JoJo fans and non-JoJo fans alike.
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