ALPHA ATTRACTED TO AN ALPHA

Try regressor instruction manual, or got a fake job at the academy
You could even read founder of the great financial family, it hasn't yet hit very much action or conflict and is just in the beginning stages of the plot (it's also not on lightnovel, but you'll find it if you search it up)

I like Fiama's character so much..

The first manga that I fully binged on! =) (Sorry, English is not my first language.)  

The start was a slow burner, but I think this worked better for the story. The reveal of characters and the full narrative of Part 7, by not forcing it down your throat but delicately providing the complete picture with passion and Araki's distinct vision, was truly remarkable.  

The characters were amazing. The villains, for me, might not be the best in the series, but they are definitely the most intriguing. The fights were incredible; they had meaning and, of course, great action.  

The art in this piece was breathtaking—not only the characters themselves but also the environments around them. Visualizing the power of Stands was just perfect.  

This manga deserves all the praise. There are a few things I could have changed about the story, but I think altering them would be a disservice to this masterpiece. ^)

I don’t typically write reviews, but this is an exception. Let's dive in.

Overall enjoyment - 10  
This is by far the best part of Jojo’s Bizarre Adventure. I can’t wait for it to be animated—if it ever gets that far. My only regret is not starting Steel Ball Run sooner because of how much I’ve come to love the series. No other manga or anime ignites the same level of passion in me as Jojo does. SBR is incredibly unique; there’s truly nothing else like it out there. I think its uniqueness is what makes it so special to read.

Story - 10  
Once again, I’ve never encountered a manga with a storyline remotely similar to Steel Ball Run. The Western setting was fresh and exciting for me, and I absolutely adore it. The fact that most of the story unfolds on horseback creates some fascinating fights and powers. The narrative flows seamlessly, with ideas being subtly foreshadowed that all make sense by the end. In my opinion, the ending wasn’t happy or sad—it was realistic, which left me feeling satisfied.

Art - 10  
Araki’s art never fails to impress. He brings an entirely new style to each part, perfectly complementing the theme of the story. Part 7 features one of the most dramatic art style changes in the series, especially noticeable in the two-page spreads and intense expressions. It took me longer than usual to finish the book simply because I spent so much time admiring each panel. The detail in his shading was so impressive that I purchased a physical copy of the manga just to appreciate it up close. I could go on about the art, but it’s 3 a.m., so I’ll stop there.

Character - 10  
Without a doubt, this is my favorite aspect of the manga. Even if the plot or art doesn’t convince you, the characters are undoubtedly the most realistic and relatable in Jojo. Johnny Joestar, the main character, resonates with me more than any other protagonist in the series. While reading, I could genuinely feel his emotions, particularly his pain during the final battles. His character demonstrates that everyone has limits and breaks down eventually. To me, he didn’t feel like a hero or a villain—just a human stuck between choosing what’s best for himself or others. The secondary protagonist might be Araki’s best-written character yet. I couldn’t possibly do him justice in words—just read the book.

Enjoyment - 10  
If it wasn’t already clear, I thoroughly enjoyed this manga. That’s all.

First and foremost, this is the greatest manga ever. No ifs, ands, or buts about it.  

Why? Hirohiko Araki has crafted nothing short of a masterpiece in this series. I don’t even want to overcomplicate the review with unnecessary details.  

The narrative is both consistent and intellectually engaging. It introduces elements that are entirely unique, setting it apart from anything that came before. The characters—both their personalities and designs—are outstanding, even by JoJo standards. The depth of the story surpasses that of previous JoJo arcs.  

It’s clear that Hirohiko Araki meticulously planned out the entire storyline before putting pen to paper. There were no last-minute additions or plot holes; the story flows seamlessly and flawlessly.  

I have never encountered a manga or anime where every single chapter or episode maintains such unwavering quality. This manga shines because its excellence remains constant from start to finish.  

The anime adaptation will likely redefine the boundaries of anime ratings. I’m eagerly anticipating it, though we may need to wait a few more years for it to come to fruition.  

And without a doubt, I highly recommend picking up the official colorized version—it’s an absolute must-read.  

A full 10/10. Nothing compares. I’m completely smitten.

<p>This part was fantastic, undoubtedly one of the best in the series. While it may not be a "masterpiece" as some claim, it was truly remarkable at its peak moments. If you're into JoJo, I highly recommend reading it, as the anime adaptation might take years to come out. That said, the rest of my review contains spoilers, so proceed with caution.<br /><br />Story (8/10)<br /><br />The premise of this part is undeniably one of the most inventive. Unlike many anime that are set exclusively in Japan or fictional worlds, JoJo ventures into real-world locations, this time in late 19th-century USA, offering a western cowboy narrative. However, being a battle-seinen manga, it inevitably pulls you into numerous fights—some weak, like Boom Boom Family, and the beginning feels lackluster. Nonetheless, the final fight against Valentine is spectacular and will likely be the best in the series when animated. I also adored Disco.<br /><br />As the first part in a new universe, the elements introduced here are among the most fascinating, such as the holy corpse and the spin technique, which complement the stand battles seen in SBR. The story focuses on two main characters, allowing for deeper characterization. The protagonist undergoes significant growth, evolving from a cocky brat who overestimates himself due to his horse-racing prowess to a humble, kind-hearted professional jockey concerned about his friends and family.<br /><br />Despite the high praise for the story, the score seems lower than deserved. This is due to the numerous flaws I'll address later.<br /><br />Art (9/10)<br /><br />The art in the latest JoJo series remains exceptional and distinctive. Johnny's devil-horned hairstyle and cowboy attire, Oyecomova's Dia de Los Muertos design, and Wekapipo's waffle-shaped hair exemplify the creative character designs. The detailed depiction of various American regions adds to the manga's appeal, showcasing diversity often lacking in other series that typically portray Americans as predominantly blonde with blue eyes.<br /><br />Characters (3/10)<br /><br />Here's where things start to falter. This part features numerous characters beyond the main group and villains, each with their own storylines, mostly unresolved by the end.<br /><br />Starting with Johnny, the protagonist, people often criticize him for being "selfish" compared to Valentine's "selflessness." I disagree. His goals aren't grandiose like "being number one" or "reaching the top," making him more realistic, akin to Joseph, Josuke, and Jonathan. His journey is about survival, personal growth, and protecting loved ones.<br /><br />Gyro, another main character, is funny, entertaining, and determined, serving as an excellent mentor to Johnny. His motivation for winning the race—to save someone's life—is compelling. However, his backstory involving a noble family of executioners is overly emphasized, glorifying a dishonorable profession. It worsens with Marco, a nine-year-old servant sentenced to death due to a conspiracy involving his employer. This plot hole is egregious: why would authorities care so much about a child's life, waiting months for Gyro to win a race overseas? Why accuse a child of conspiracy and pardon a traitor based on a race victory?<br /><br />These absurdities harm Gyro's character. If he had less backstory or a better one, he'd be more likable.<br /><br />Diego Brando, Dio's counterpart, stands out as the best reimagined character from the original universe in SBR. Unlike Dio, whose goals were generic and cancerous, Diego's are reasonable, enhancing realism despite fantastical elements.<br /><br />Hot Pants is another highlight, breaking the mold of weak, clingy female characters typical in JoJo. Her limited screen time is impactful, especially in her fight scene. Her pairing with Diego feels natural; they don't rely on each other for personality but work well together.<br /><br />Lucy Steel, however, is a poor counterpart to Erina. After a failed attempt to make her a main character, she becomes a damsel in distress, frequently molested and depicted naked, despite being underage—a disappointing choice by Araki.<br /><br />Other characters like Wekapipo, Pocoloco, and Norisuke appear briefly, with Sandman having potential but taking an unexpected turn by siding with Valentine for unclear reasons.<br /><br />Valentine, the main antagonist, has solid motivations initially but falters near the end when he decides to empower a lunatic merely to exact revenge on Johnny.<br /><br />Story Part 2 - The Awful Ending<br /><br />Many character arcs remain unresolved. Wekapipo's fate feels meaningless, Hot Pants is abruptly thrown off a train without closure, and Pocoloco, the race winner, disappears without conclusion. Gyro's sacrifice for Marco feels wasted when Marco dies from a cold later on. George Joestar's storyline concludes satisfactorily, but Gregorio Zeppeli faces no consequences for mistreating his son.<br /><br />The High Voltage arc ruins everything. Bringing AU Diego into this universe undermines Valentine and Diego's characters, culminating in a nonsensical fight where Lucy defeats AU Diego. This fanservice-driven arc detracts from the story and hopefully won't make it into the animation.<br /><br />Enjoyment (6/10)<br /><br />Despite issues, the ending works if focused solely on Johnny, Gyro, and Valentine. A more concise conclusion could have enhanced the experience. I enjoyed much of this part and would reread it, though the loss of beloved characters like Diego and Hot Pants is disappointing.<br /><br />Overall (8/10)<br /><br />This part deserves its popularity. I recommend it to those familiar with previous parts, as it surpasses many others in the series. It's unfortunate that some readers drop out after this installment.</p>

Here's the rewritten content in English:

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Here, you'll encounter the most intense horse racing in a story. The concept of a race crossing an entire continent, specifically the United States, is bizarre and awesome. I haven't read all the parts, but I've caught up with what happened through the animation series, and this one is in my TOP 3.

In this series, everything resets—a new start for a new universe with similar elements. It might be disappointing as all parts 1-6 are kind of abandoned with lots of unanswered questions, but... I think that's just how JoJo's works. For some people, this part may be somewhat disappointing, but I enjoy this part without bias towards the previous JoJos.

The storytelling, as always, is awesome. There are puzzling moments, but this feeling is what makes the series great. I'm sure the dialogues mean more than they seem; it's hard to grasp what really happened by reading it only once. But still, you get the rough idea about it. It could be considered skillful and genius storytelling. The plot and setting, the ambience, and culture at those timelines are neat, and you still get the doofus jokes from the characters.

The artwork is excellent. All those details within panels really give you the feeling throughout the story. All the movements, especially in battles, are easy to understand. If you observe closely, you might find some foreshadowing.

Since JoJo is all about the Joestar family, it's fascinating how the first half of the story focuses more on this Zeppeli guy. Unlike other quirky JoJos from the start, Johnny is rather plain yet not the kind of pure-boy dude like Jonathan from Phantom Blood. As the story progresses, you'll find Johnny evolving, changing little by little through the race. What's more awesome is the fact that Johnny cannot walk, a contrast point unlike the other superhuman JoJos.

And what's best is Diego Brando's existence, who is less of a jerk than the original Dio. The anti-hero of this series, meanwhile, both face the same villain yet still oppose the main hero.

Overall, there's still this puzzling feeling when the story ends, but there's still JoJOLion (Part 8), where the story might be relevant to some extent *since I haven't read it yet*. But I enjoyed it so much; the reset plot is refreshing (because Phantom Blood feels like a sitcom drama to me—I can't stand it, and I hate vampires). At first, you might think, "Wut, will I just read a horse race continent for 96 chapters?" But later, bizarre things are actually happening without you realizing it.

P.S: You'll love the Cheese Song.

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After viewing all the currently aired parts (1-5), I chose to carry on by diving into the manga, as I was extremely intrigued by part 7. Part 6 had already been a delightful surprise following the incredible part 5 anime adaptation, yet Steel Ball Run is undoubtedly the pinnacle of all the completed JoJo parts so far. [Minor spoilers]  

[Story: 9]  
Part 7's narrative is generally quite straightforward, focusing on a 6,000-kilometer horse race across America with a grand prize of $50,000,000. What makes this race unique beyond its immense scale is that many participants are unaware it was organized to gather body parts of a "saint."  

Steel Ball Run managed to briefly capture my attention in the initial chapters, but unfortunately, I encountered a somewhat slow and dull stretch spanning over 20 chapters afterward. Stands are introduced relatively late in the manga, and the first stand battles aren't particularly remarkable. However, after reading the arc "A True Man's World" in chapters 33-35, I became instantly hooked, and this is when the story begins to gain momentum.  

The stand fights may not surpass those in previous JoJo parts, but each encounter feels deeply rooted in the SBR storyline, making them much more engaging. Additionally, characters don't incessantly talk about their stand abilities.  

[Characters: 9]  
The characters in part 7 are nothing short of exceptional. Since providing a thorough justification for their greatness would require a 50k-word essay, here's a brief summary:  
- The villain is fantastic, and so are the "good guys." Every character has a well-crafted backstory and depth. Side characters often shine on their own.  

[Art: 10]  
While the art isn't the best I've ever seen, comparing it to previous JoJo parts reveals a significant improvement. There wasn't a single subpar panel, and even the less critical, smaller panels rival the cover art quality of earlier parts.  

[Enjoyment: 8]  
Regrettably, I didn't find this part more enjoyable than the preceding part 6, but it surpasses it in all other aspects.