A Painting of the Villainess as a Young Lady

how would anyone rate this from what i can tell it is a very frustrating story. most importantly is the humor good like a romcom because in all honesty’s romcoms are the best and if it isn’t it’s usually bad in my opinion.

It is lol, its like eating sugar, its bad for you but you eat it anyways

Lmao

Start of the novel was good but after that it started to move away from its main traits which make me dislike it a bit, i cant say it really dustanced itself but i dont thinkits that connicted to the main traits.

Waring!! Helo this is a cool novel while u may have some frustrations/questionb about mcs act in first few chapters but it gets expleined part by pert why she dois tpinğs like that so be patient and
⬇️dont be like this guy(dont reply u will ruin it.)

Depression? I'm in. I wanna see how her healing process happens.

"I'm really enjoying the story thus far; it evokes strong emotions. Similar to what another commentator mentioned, I appreciate that it's not just about revenge. Instead, it delves into themes of self-discovery and personal healing, which is quite refreshing. Although there aren't many chapters, every one has been a pleasant read for me."

This narrative perplexes me because it intentionally features several characters who are deliberately portrayed as irritating. The main character (MC) and other seemingly well-intentioned characters also find them bothersome, with their annoyance being explicitly highlighted. There's no doubt that the author is not accidentally creating these frustrating characters.

However, these annoying characters persistently populate the story without any significant negative consequences. Despite not having done anything particularly heinous lately, they continue to plague the MC. As a result, readers are left without the gratification of witnessing their comeuppance; instead, they endure a relentless barrage of pestering. Consequently, the reading experience becomes predictably exasperating.

Thank you, Peaches at Dusk, for the translation. This unique portrayal of a villainess reflecting on her past life offers a breath of fresh air. The protagonist's acceptance of her dual nature seems more genuine compared to a possession story where the occupant recoils from the body's original owner and their actions. I've always found it irksome when people assume selfishness is inherently unnatural or evil. This novel, thus far, has been a soothing read. I eagerly anticipate the upcoming chapters. ^_^

I share many similarities with other readers in my appreciation and disapproval of this novel. Initially, I was captivated by its well-written and beautifully translated early chapters, which evoked strong emotions and even made me shed tears due to the compelling storytelling. However, as the story progressed, the characters and their actions became increasingly difficult to tolerate.

It seems that the fundamental values between the author and myself diverge significantly. I appreciate the author's clear endorsement of healthy lifestyles and rejection of restrictive clothing, but I found the constant leniency towards characters pushing boundaries and their lack of understanding of the concept of 'no' highly unpalatable. Despite being initially drawn by the emotional resonance in the beginning, the novel eventually turned into a frustrating read for me, leading to my low rating, despite my general inclination to rate positively.

I couldn't resist leaving a review because, among all the近期读过的"villainess" novels, this book is quickly becoming my favorite. FL, after revisiting her past, doesn't suddenly transform into a virtuous angel; she remains the captivating, feisty antagonist I believe she should be (she had every right to be furious with her family prioritizing their distant cousin over their own daughter). Instead, she chooses to live a peaceful life, painting over her painful memories with the help of the delightful Mary, despite the constant interference from those around her. This excerpt from peachesatdusk's translation beautifully captures FL's misunderstood nature:

"The person standing before us is human, not the villainess of House Everett, nor a cold-hearted witch. She's simply a 19-year-old girl whose family has never recognized her."

Be warned, the story deals with themes of depression, understandable given the mistreatment FL faced for standing up for herself. There's a moment where FL confesses she even considered suicide just to make her family feel remorse. I could empathize with her anger, knowing the same emotions.

Despite my personal pettiness and deep immersion, I must admit Roen's character growth is well-written. It was cathartic to hear him acknowledge the family's role in FL's struggles and his commitment to making amends, both through actions and words.

Lastly, I appreciate the translator's creative adaptation of the title, incorporating "A Portrait of the Artist as a Young Man," which shares some parallels with FL's journey. It's a brilliant touch, and anyone who doesn't appreciate it might need to reevaluate their taste.

Though it's perhaps too early to give a definitive judgment, the novel's plot appears solid, straightforward, and grounded in reality. What caught my attention was the transformation of the original antagonist, FL, who began to work on herself after witnessing the foolishness of her cousin's sister and the dysfunction within her biological family.

Both the main character (MC) and the original FL seem to struggle with mental stability, which adds depth to their characters. The MC's first brother, who abuses her both emotionally and physically, faces consequences for his actions when he fails to ascend to the dukedom. Meanwhile, the disloyal cousin, who was once a Duke, loses her noble status.

As the story progresses, the MC's other brothers undergo gradual character development, maintaining a decent relationship with FL despite the distance she maintains. It seems MC still has reservations towards her father, although his role evolves over time. The love interest, ML, is portrayed as caring and supportive, always attentive to MC's needs, even when others aren't.

Books can shape readers' perspectives and worldviews, so authors must tread carefully with their storytelling choices. It's crucial to consider the impact their narratives might have on their audience.