
Falling For The Wicked Boss
- Genre: Urban
- Author: Raivin_Holmes
- Translator:
- Status: Ongoing
- Rating(3.8 / 5.0) ★
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Popular Reviews
Interestingly, the manga focuses on the relationship between the main characters, Akito and Yurika, particularly on Akito's character development. In the anime, these elements were often played for laughs or used to steer the story back on track when needed, feeling underdeveloped for lasting dramatic impact. The manga portrays them in a much darker and more introspective light.
The manga's story initially mirrors the show's in the first volume, as expected from an adaptation, with a few new characters and plot points introduced. These new elements gain significance in subsequent volumes, steering the narrative in a different direction while maintaining some familiar beats. The "new" story is serviceable but lacks appeal without the meta-commentary and humor. There was potential for "Yuugeki Uchuu Senkan Nadesico" to redefine the manga in the same way "Kidou Senkan Nadesico" redefined anime, but this path was not pursued. Akito is portrayed as a kid who needs to mature, with manga and anime symbolizing part of his childhood.
The manga's most significant shortcomings stem from its ties to the source material. Many characters were carried over but have minimal roles. Some, like Megumi and Jun, become background characters, which is acceptable, but others should have been omitted entirely. Izumi Maki's inclusion is especially problematic: despite having only two lines, she is criticized by others for making jokes, a detail only relevant to viewers of the show.
Another issue arises from the shift in tone and plot due to the first volume's similarity to the anime. This can give readers preconceived notions about the storyline, leading to confusion later. The story doesn't fully establish its identity until halfway through, but the manga eventually carves out its own niche. An interesting exercise might be to consider this adventure as a sequel to the anime. While unconventional, this approach highlights how the universe described in the manga complements the one from the anime.
The artwork is another appealing aspect. It retains roots in the anime but diverges from the "slick and cool" style of "Kidou Senkan Nadesico: The Prince of Darkness." Most character designs fit well within this aesthetic (as seen on the cover art), but there's some homogeneity in their appearance that causes confusion later. Battle scenes are similarly challenging to follow, partly due to the intrusive onomatopoeia in the English-translated edition.
Overall, there's enjoyment to be found here, but it's far from a must-read and is difficult to discuss outside its connection to the show. Paradoxically, the more "mature" tone may make this version less appealing to older readers, as being hard to take seriously was part of the anime's charm. The manga may enhance appreciation (and provide clarification) of Akito's role when watching the anime, adding depth to his relationship with Yurika. My favorite early moment was the nod to 1980s Japanese pop music, seamlessly integrated into the "lore," a touch that fits well within the anime's spirit.
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