Then the rest of the time, I'm a devoted oracle of the Aurora Order! Bwa ha ha ha.
All Praise be to you, oh Lord, The Lord that Created Everything, The Lord who Reigns Behind the Curtain of Shadows, The Degenerate Nature of all Living Things ＼(°<°)／
What if deep sea members were called deep freaky embers and captain Duncan abnomar is called captain Duncan freaknomar. And subspace is called freakyspace and there's just freakville in there🤔🤔🤔
Amateur artists frequently harbor a grand vision in their minds, only to falter when attempting to bring it to life outside of their heads. It appears that professionals are not immune to this issue either, and this manga serves as one of numerous examples.
Picture a cyberpunk-inspired sci-fi universe characterized by a vibrant cultural fusion. In this world, one of the few forms of mass entertainment are "dogfights" – brutal, staged battles to the death (or destruction) involving cyborgs. Among these cyborgs is Sayoko Tachibana, now known as the White Thirteen or Sirius. To cover her sick brother Takeru's medical expenses, she literally sold her body, leaving her brain as the sole human component. She mindlessly engages in cyborg combat. However, Takeru refuses to accept his sister's fate and rescues her from this enslavement, managing to somewhat "awaken" her. Now, both siblings are fugitives from the enigmatic organization that owns Sayoko's cyborg form and orchestrates the dogfights. The organization's leader, Marseille, is determined to retrieve her at any cost.
Thus begins an adventure of epic proportions—at least in the artist's imagination. In reality, the story faces significant struggles. Every plot point and subplot falls short of expectations. Characters like Sayoko and others initially hint at deeper backstories, but the narrative fails to deliver. The overarching plot ultimately disappoints, as it turns out to be inconsequential. Everything resolves off-screen in the epilogue, exemplifying subpar storytelling. The characters are equally underwhelming. What about the villain? What drove his obsession? His breakdown at the end feels abrupt and unearned. Moreover, he admits that his actions don't even matter. As for Sayoko, all the tension regarding her limited time and struggle to retain her humanity dissipates into more cyborg fights. The story shifts focus from her and Takeru, with Takeru preoccupied by his girlfriend. The lone bright spot is the minor villain, troop leader Cunningham, who exhibits the most human qualities and garners support. Yet, his role remains insignificant, confined to being a secondary antagonist. One wonders if the author has ever produced anything coherent.
Ultimately, readers may persist solely for the appealing art and exciting cyborg battles. These elements are enjoyable. Everything else, however, is poor and forgettable. Avoid reading the entire work; instead, skim through and enjoy scenes of a nun brutalizing cyborgs.
Popular Reviews
All Praise be to you, oh Lord, The Lord that Created Everything, The Lord who Reigns Behind the Curtain of Shadows, The Degenerate Nature of all Living Things ＼(°<°)／
Picture a cyberpunk-inspired sci-fi universe characterized by a vibrant cultural fusion. In this world, one of the few forms of mass entertainment are "dogfights" – brutal, staged battles to the death (or destruction) involving cyborgs. Among these cyborgs is Sayoko Tachibana, now known as the White Thirteen or Sirius. To cover her sick brother Takeru's medical expenses, she literally sold her body, leaving her brain as the sole human component. She mindlessly engages in cyborg combat. However, Takeru refuses to accept his sister's fate and rescues her from this enslavement, managing to somewhat "awaken" her. Now, both siblings are fugitives from the enigmatic organization that owns Sayoko's cyborg form and orchestrates the dogfights. The organization's leader, Marseille, is determined to retrieve her at any cost.
Thus begins an adventure of epic proportions—at least in the artist's imagination. In reality, the story faces significant struggles. Every plot point and subplot falls short of expectations. Characters like Sayoko and others initially hint at deeper backstories, but the narrative fails to deliver. The overarching plot ultimately disappoints, as it turns out to be inconsequential. Everything resolves off-screen in the epilogue, exemplifying subpar storytelling. The characters are equally underwhelming. What about the villain? What drove his obsession? His breakdown at the end feels abrupt and unearned. Moreover, he admits that his actions don't even matter. As for Sayoko, all the tension regarding her limited time and struggle to retain her humanity dissipates into more cyborg fights. The story shifts focus from her and Takeru, with Takeru preoccupied by his girlfriend. The lone bright spot is the minor villain, troop leader Cunningham, who exhibits the most human qualities and garners support. Yet, his role remains insignificant, confined to being a secondary antagonist. One wonders if the author has ever produced anything coherent.
Ultimately, readers may persist solely for the appealing art and exciting cyborg battles. These elements are enjoyable. Everything else, however, is poor and forgettable. Avoid reading the entire work; instead, skim through and enjoy scenes of a nun brutalizing cyborgs.