Scrapped Princess was published in English by Tokyopop from August 9, 2005, to May 9, 2006.

Scrapped Princess
- Genre: adventure comedy drama fantasy romance
- Author: sakaki ichirou yabuki gou
- Artist(s):
- Year: 2002 to 2004
- Original Publisher:
- Status: Finished
Associated Names
English: Scrapped Princess
Official Webtoon
- Wikipedia
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Casull Raquel
Main
The eldest of the two Guardians (her age is not specified during the series), she is Pacifica's adopted sister. Raquel is an adept magic-user who favours a defensive spell bearing the incantation 'wall, block everything!'.After encountering the mascot Sou...
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Casull Shannon
Main
Shannon, Pacifica's stepbrother, was entrusted with her by their parents. Whether the "Scrapped Princess" prophecy is true or not, he takes on himself, along with his other sister, Raquel, to protect Pacifica from anyone who wishes to hurt her and will g...
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Casull Pacifica
Main
The Scrapped Princess. Originally thrown over a cliff when she was just a baby, she survived and was adopted by the Casull family as their youngest child. With her blonde hair and blue eyes, she is the spitting image of her mother, and her sweet nature do...
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Barrett Doyle
Supporting
A doctor in a secluded forest area, Doyle used to be the head of the Amber Knights. He defied orders to throw the newborn princess down a cliff and kill her, as he began to doubt the true meaning of justice and chivalry that would have him kill an innocen...
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Borchard Eirote
Supporting
Second in command of the organization Scarlet, Eirote is constantly by princess Senes' side, acting as her personal secretary and helping to keep the princess' volatile temper in check. Eirote first met Princess Senes in Giat's palace gardens while workin...
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Casull Yuhma
Supporting
The father of Shannon and Raquel and adoptive father of Pacifica. He is a stout, dark-skinned swordsman of seemingly foreign appearance, and quite a bit older than his wife. Despite being described as someone you wouldn't want to meet on the roads at nigh...







What happens when the entire world stands against you, leaving only your brother and sister by your side? This central theme is a cornerstone of both the manga and its anime adaptation. Despite sharing several similarities, the manga introduces elements that didn't quite resonate with me as well as the original did. It's not necessarily bad, just different—a feeling akin to when a beloved story gets altered. The artist's attempt to adapt a novel into a manga might explain why the characters feel somewhat underdeveloped compared to their animated counterparts. Although I can't pinpoint exactly why, the anime felt more spirited while the manga came off as dull.
Several new characters appear in the manga who were absent from the anime, including one reminiscent of Wolverine from X-Men. Their narratives often revolved around themes of familial loss, which, while relatable, started to feel repetitive. These stories occasionally jumped ahead in time, hinting at future events, but this felt disjointed given Pacifica's supposed role in ending the world. If she was destined to bring about the apocalypse, wouldn't nothing happen afterward? The ambiguity left me wondering if her fate was death or something else entirely, adding an odd twist to the narrative.
If you expected the manga to mirror the anime precisely, think again. Not only does it diverge significantly, but it also lacks a conclusive ending. Instead, it offers fragmented glimpses of the overarching storyline, introducing various characters along the way—mostly those seeking to eliminate Pacifica. Each arc followed a predictable pattern: confrontation, escape, backstory exposition, and then another confrontation. This formulaic approach made for a rather bland experience, devoid of the rich background and dynamic combat scenes found in the anime. The manga’s primary message seemed to be about protecting family above all else, but even that lacked depth.
The artwork is visually appealing yet conventional. Occasionally, the stark black lines made it challenging to distinguish between characters, and their expressions often appeared lifeless. Despite these shortcomings, the aesthetic quality remains commendable, though it doesn’t fully compensate for the lackluster storytelling.