In her new life, Ji Ran decides to teach a lesson to her melodramatic fake sister and reclaim everything that belongs to the Ji family. But unexpectedly, she ends up sitting next to her lifelong rival from her past life, Shen Zhi, in school. Ji Ran never imagined that the ice-cold male god of the financial world, who was ranked NO. 1, was once so fierce and protective of her when they were young.
And she also didn’t know…
That she herself is the “white moonlight” from the finance world in her previous life, who was rumored to have already died, the one who made him suppress his madness and never look at another woman again.
Until one day, Ji Ran passes by the staircase, where a group of teenage boys is bragging excitedly. She overhears one of the boys saying, “If you’re looking for a girlfriend, you should find someone like Ji Ran, with a slim waist and long legs…” Before he can finish his sentence, Shen Zhi kicks him and coldly remarks, “What nonsense are you dreaming about.” There’s something he doesn’t say out loud, that not even his pursuit has caught up with him.
As she turns around, their eyes meet, and he shows a slight change in expression.
That night, she couldn’t help but ask, “Shen Zhi, why did you notice me in the beginning?” Shen Zhi: “Everyone else is afraid of me, why aren’t you?” The unspoken words were, “You’re the one I’d be willing to risk my life for.”
#Don’t be fooled by the playful title; this is actually a heartwarming campus romance. It’s about those little secrets hidden in time and forgotten, finally coming to light once again.#
One-sentence synopsis: “You’re the one I’d be willing to risk my life for.”
#A Campus Bigshot That Strikes Fear into Hearts X A Small Fairy Even More Fearsome Than a Bigshot
Protagonists: Ji Ran, Shen Zhi



Popular Reviews
Unfortunately, by the time you reach the black-and-white chapter two, any excitement dissipates with a deflated sigh. Colour sporadically reappears throughout the manga but always vanishes, leaving readers longing for what could have been. Forget Me Not boasts an engaging and original premise, a quirky concept marred only by artwork that, while possessing some charm, remains somewhat dull to navigate. If the colour from the first chapter had persisted, this manga would undoubtedly be a hidden gem.
Mariel Imari, the spirited young detective who has taken over her father's business and skills, exudes a laid-back charm. Her penchant for disguises adds a cute element to the narrative. The humor is dry and witty, and the misadventures she encounters are navigated through her independent spirit and fast-paced approach. Venice serves as a mysterious and atmospheric backdrop, with intrigue lurking around every corner.
The story demonstrates ambition but feels too confined; the author seems unwilling or unable to expand the scope beyond just seven chapters. It's regrettable, as there are many great ideas present—engaging characters, a rivalry with a thief Mariel might already know, and the secrets surrounding her father and inheritance. These imaginative, mature elements feel prematurely truncated.
Forget Me Not deserves to be remembered. One can only hope that Kenji Tsuruta doesn't overlook its potential and eventually taps into its true promise.
The narrative isn't the most engaging. It starts off quite "episodic," then transitions into telling a story. Episodic in that it presents individual mystery cases to focus on each chapter until about halfway through, where the real story begins. It isn't engaging because, well, it is episodic, until it isn't. This is an unusual approach, especially with only 7 chapters, as the interesting parts come too late. The story ends up with something that cannot be developed seriously unless it spans 100 chapters, which it doesn't. You're left with a plot that doesn't really spark much interest because it wasn't substantial to begin with. This is where I found myself with the story. Part of why I didn't find it all that intriguing ties back to the "laid-back" aspect I mentioned earlier. It becomes slightly contradictory because there was genuine effort to give relevance to small details in the story. But these were minor details that didn't have a lasting impact on the plot, the kind that only rewatchers/readers might notice. Whether Tsuruta intended to embellish what was present rather than what would come is something I don't know. So, do you consider that good or bad? You decide. The characters fall into the same category; they lack interesting points simply because they were treated like the story. Of course, this applies to everyone who isn't Imari. Imari is the one character I liked, and she is portrayed quite well, feeling very much like she has her own personality. The same can't be said for anyone else, and writing this review much later than I should have, I barely remember any other character who left a mark. Perhaps this is just a classic case of "the detective carries the story" — no, that pun wasn't intentional.
Tsuruta's art style is always a delight to see. The designs resemble real people, the detail suggests visible elongated timeframes, and the backgrounds are almost painterly. There's nothing truly flawed here. The only thing I might say is that with an art style like this, everything seems set in stone, so there's no real opportunity to showcase even better art than what was given. To be fair, this isn't a battle shounen, but I've seen even the calmest manga deliver incredible art. Regardless, this is still genuinely good without question.
Enjoying Forget-me-not isn't easy, at least not for me, and I'll explain why that might be a universal issue. As stated, the story lacks weight, focusing on small details that ultimately amount to little. I can't say you'll find enjoyment here. It's not unreadable, but it feels like something that just passes with time, probably not leaving much of an impression. However, this isn't too bad to read, though the detective cases aren't the most fascinating. They also follow the "laid-back" trend that may just be a bit too "laid-back." I finished it without forming particularly pleasant memories, but neither did I leave with any horrific ones.
I can't say I recommend this, considering how dialogue-heavy it is, it isn't friendly to those seeking something quick to read with an equally flowing story. It only has 7 chapters, though. Consider it. It might just end up as something that gets added to your completed list and that's all. With Tsuruta behind this, the same artist responsible for the Omoide Emanon manga adaptation, I was here for the art but was curious about what the story had to offer. Unfortunately, it doesn't offer much, does it? I don't dislike him; I think his works are pretty solid, but this one didn't hit as it should have.
Overall - 5.79 (6, lowered art significance)
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