
The Supporting Male Characters Who Died Alone All Those Years Later
- Genre: Comedy
- Author: Mu Mu Feng Se,木木丰色,
- Status: Completed
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Comedy Fantasy Romance Affair Ancient Times Calm Protagonist Clever Protagonist Complex Family Relationships Cultivation Family Business Handsome Male Lead Male Protagonist Marriage Modern Day Multiple Transported Individuals Nobles Overpowered Protagonist Poor to Rich Schemes And Conspiracies Transmigration
Rating(4.1 / 5.0, 8 votes)
5 stars
3(38%)
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4(50%)
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1(13%)
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Popular Reviews
Then I can read it in full in English and not use MTL.
This story is awesome.
That said, the manga itself is rather hit-or-miss. Immortal beings serving as a link for largely standalone stories isn't an entirely original concept, but it's a framing device I appreciate. Unfortunately, this manga doesn't leverage this trope particularly well.
The titular character, Orochi, lacks depth in both characterization and context. Her personality is generic, and the manga doesn't explore any philosophical aspects of immortality. Additionally, there's no clear explanation of her abilities or limitations. She often plays a passive role, and aside from her convenient powers, she could be removed from most stories without much impact. To me, this missed opportunity is the manga's biggest flaw.
Given its episodic nature, it's challenging to generalize about the plots and themes, but there are recurring traits in the stories. Some feature significant plot twists that are logically sound but lack impact due to weak character development and repetitive narratives. Generally, the character writing here is simplistic, with little complexity in morals and motivations (save for one notable exception I'll mention later). The best stories tend to feature likable main characters for this reason. While this might seem obvious to many, several of these stories have protagonists who are both unlikable and shallow.
In my opinion, the standout story was about the boy with the wonderful father. His backstory was exceptionally well-crafted, and the connection between the modern-day events and his past is excellent. It feels like the main character genuinely learns something here. I also enjoyed the tale involving the blind girl.
In the end, the positives and negatives balance each other out. 5/10, it's fairly average overall. Next, I plan to read the author's subsequent work, 'The Drifting Classroom'.
In contrast to Umezu's more famous creations, such as Hyouryuu Kyoushitsu (The Drifting Classroom) or Kami no Hidarite Akuma no Migite (Left Hand of God, Right Hand of the Devil), horror, gore, and the supernatural take a backseat, allowing the human characters to take center stage. This series delves into dark secrets, revenge, and accumulated hatred. With Orochi as our guide, we witness the corruption of human hearts without the usual supernatural scapegoats.
A variety of themes are explored, and some stories may appeal more than others. I found some lacking, particularly when compared to Blood, the final tale. All the stories are lengthy for manga standards, averaging over 100 pages, ensuring well-developed characters and plots. The psychological focus might alienate readers expecting a more conventional horror setting. Admittedly, there were moments when I hoped for a darker twist.
The artwork is exceptional. Umezo's traditional drawing skills outshine today's computer-aided mangaka. Each panel is meticulously crafted; the women are strikingly beautiful, and the detailed backgrounds draw readers into the story.
This manga is significant as it clearly influenced Junji Ito, arguably Umezu's successor and a horror master in his own right. The beautiful women, existential dread, and heavy panels echo in Ito's work, though he consistently opts for sinister turns. It's evident this manga was a major inspiration for him.
Orochi is a solid manga, albeit with uneven story quality. If you come across Blood on a bookstore shelf, don't hesitate—the compelling story and stunning artwork make it a worthwhile purchase. 7.5/10.
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