[WARNING: MATURE CONTENT 21+ // Watch Me Burn Them For You]
"And if someday you see me, remember to forget my name, or karma will bow."
****
For Awuor’s power, her people had done the unthinkable, in the history of werewolves.
Her beta and brother, Dom, murdered their mother, the Sicario luna and blamed it on Awuor. In his grief, her father didn't bother to try and find out the truth, instead, for murdering her mother, he gave his daughter the worst punishment any alpha could ever get.
He banished her from home, but Awuor’s wasn’t the usual banishment. Her father neither stripped her of the alpha title, nor did he make her a rogue. Instead, Alpha Sicario forced Awuor to be an exiled alpha, a woman so powerful, but with no one to rule over.
Her mate, Jer, a power-hungry bastard, stepped up to rule the Sicario pack, since Awuor, the reigning alpha, was away, and Jer never once sought her out. Just like everyone else, he had betrayed her when he claimed a different woman, without rejecting Awuor.
As the gates of Sicario closed on her, as her people watched her in disgust and disappointment, the daughter of Sicario had just one thought.
A PROMISE of destruction & vengeance; she would ruin them all.
***
[EXCERPT]
"Either you're from the Dawson pack, the Bluemoon pack, or the Sicario pack, because you're definitely not from our Greyson pack. You must have done something really stupid for your alphas to banish you, even though you have no scent of the ferals.
"So that could mean you're not a feral, but you're certainly not that important to your people. You seem to have an attitude and reek of power, that's why you don't appreciate anyone talking to you like a regular wolf.
"But all of that doesn't matter right now, because you are the unwanted little wolf. The girl without a home, the rejected wolf who can't be claimed by anyone else. You're dressed in banana leaves because you have no clue how to make proper clothing on your own.
"— or even check the feral cloth reservoir on the west of this forest. The fact that you have stayed so close to the other three packs is because you don't want to be away from home and are somehow hoping that they'd want you back.
"Allow me to spell it out for you and make it easier for your probably useless brain to understand, little wolf, no one wants you. I'm only taking you to my alpha because your presence here is a nuisance to us, and for some reason, the alpha is interested in you.
"And before you get any ideas about mates and whatnot, our alpha is already mated. So will you get up on your own, or do we have to take you stripped? Because I for one have no problem doing that. We could just treat you like the rogue that you're not," Adolf said to Awuor who still had her angry smirk on.
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(Not worth reading)
<p>
I don't aim to write a well-structured review; I just want to vent my anger by writing this and making it public.
The early chapters are incredibly amazing and enjoyable. But damn it, the ending is a freaking tragedy and left me extremely upset, to the point where I wanted to rate this manga 1/10. It seems like the author lacked the courage to create something entirely new, which could have been possible if the ending hadn't gone this way, instead opting for spineless realism that is truly garbage.
<p>
Here’s my breakdown of each category:
art: 9/10
The art style is highly stylized and expressive. It effectively conveys the emotions of the characters and creates moments of epic intensity. The artist does an excellent job portraying the "evil" as visually repulsive, evoking a true sense of disgust whenever they appear. While the literal depiction of evil as ugly might overpower other manga, it fits well here, emphasizing how oppressive and overwhelming evil is in this story. Though not overly detailed, the art is well-drawn and creatively enhances the storytelling.
story: 8/10
The plot is straightforward yet deep. It doesn't force the idea that the "hero's" actions are always justified. Akumetsu's actions range from questionable to downright immoral, giving readers room to reflect on his choices. The story acknowledges that nothing is inherently evil but can become corrupted over time. While there are minor flaws throughout, none are significant enough to ruin the experience. As mentioned earlier, the ending, though abrupt, provides a sense of closure. I appreciate that the story doesn't offer a simplistic solution to defeating "evil," unlike certain other series (cough, Code Geass R2, cough).
characters: 7/10
This is the weakest aspect of the manga. Aside from the protagonist, side characters receive little to no development. They come across as two-dimensional and lack distinct personalities. One exception is Katsuragi; even though he isn't alive during the main timeline, the chapters dedicated to him enrich his character and explain Akumetsu's motivations. His death felt genuinely impactful. Focusing on Akumetsu's perspective works for the narrative, but when he starts relying on underdeveloped secondary characters near the end, their teamwork feels hollow. Despite this, the finale remains deeply rewarding.
The plot bears a striking resemblance to Death Note. The main character (MC) operates with a rigid moral code through which he views the world. Armed with a unique power, he eliminates individuals he deems responsible for his country's decline. Essentially, the MC leads a terrorist organization enhanced by superpowers, targeting leaders of corrupt entities. The narrative delves into contemporary global issues and unravels the mystery surrounding the MC's power and its associated costs.
Key themes include class disparity between common citizens and the elite, government corruption, healthcare challenges, and ethical dilemmas concerning actions for the greater societal good.
Art: 6/10
Backgrounds lack intricate detail, though character emotions are evident but not fully realized. The art style leans toward classic manga aesthetics—somewhat outdated compared to modern digital art but retains a nostalgic charm that complements the story without detracting from it. Many panels feature minimalistic or absent backgrounds. Gory scenes are vividly depicted with explicit blood and violence. However, action sequences aren't rendered in a manner that stands out artistically.
Characters: 6/10
Shou serves as the sole primary character. He exudes light-heartedness and humor, maintaining popularity while upholding a robust sense of justice. Throughout the manga, Shou consistently acts as the quintessential "good" guy, never engaging in behavior portrayed negatively within each arc.
Side characters exist primarily to add depth to the narrative but rarely challenge the MC's perspective, often acquiescing to his viewpoints. This limits their development and impact on the story.
Enjoyment: 6/10
This manga held my interest during high school, earning an 8.5 rating at the time. Upon revisiting it, however, certain aspects leave much to be desired. The definitions of good and evil feel overly simplistic, and consequences remain unexplored. Declaring entities corrupt is easy, yet no solutions are proposed. The MC's critiques of Japan's flaws are accepted as gospel truth, with no alternative paths suggested. Violence becomes the default response to perceived injustices. While the author occasionally attempts to present opposing perspectives, these characters ultimately align with the MC. The ending proved semi-realistic, contrasting with the rest of the manga. Middle arcs dragged excessively, making chapters less enjoyable. The backstory of cloning was tedious to navigate. I persevered to reach the conclusion, curious about my current take on the work. Unfortunately, Akumetsu fails to offer solutions to the myriad problems it raises, evoking a Cultural Revolution vibe through public lynchings cheered by the populace, resulting in negligible change.
Overall: 6/10