The Girl She Was - The Lost Princess series

  • Genre: Romance
  • Author: The Lost Princess series - Mikky12
  • Status: Complete

Rating(4 / 5.0, 3 votes)
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Popular Reviews

  1. tejipa5913synclane
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    I can't wait to read the rest of this book I love it so far
  1. PudgeyTheBird
    PudgeyTheBird rated it
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    Need more chapters at least a minimum of 8 chapters a day. 3 chapters is very less
  1. VanTankMm
    VanTankMm rated it
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    bored a hole through it where there should have been a figure's legs, generally mutilating it. Piero Soderini, Florence's mayor, had contemplated trying to save the block by eommissioning Leonardo da Vinci to work on it, or some other master, but had given up, since everyone agreed that the stone had been ruined. So, despite the money that had been wasted on it, it gathered dust in the dark halls of the church. This was where things stood until some Florentine friends of the great Michelangelo decided to write to the artist, then living in Rome. He alone, they said, could do something with the marble, which was still magnificent raw material. Michelangelo traveled to Florence, examined the stone, and aime to the conclusion that he could in fact carve a fine figure from it, by adapting the pose to the way the rock had been mutilated. Soderini argued that this was a waste of time-nobody could salvage such a disaster-but he finally agreed to let the artist work on it. Michelangelo decided he would depict a young David, sling in hand. Weeks later, as Michelangelo was putting the final touch es on the statue, Soderini entered the studio. Fancying hirnself a bit of a connoisseur, he studied the huge work, and told Michelangelo that while he thought it was magnificent, the nose, he judged, was too big. Michelangelo realized that Soderini was standing in a place right under the giant figure and did not have the proper perspeetive. Without a word, he gestured for Soderini to follow hirn up the scaffolding. Reaching the nose, he picked up his ehisel, as well as a bit of marble dust that lay on the planks. With Soderini just a few feet below hirn on the scaffolding, Michelangelo started to tap lightly with the ehisel, letting the bits of dust he had gathered in his hand to fall little by little. He actually did nothing to change the nose, but gave every appearance of working on it. Mter a few minutes of this charade he stood aside: "Look at it now." "I like it better," replied Soderini, "you've made it come alive."

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