A Estranha Noiva do Príncipe Amaldiçoado

There's nothing I hate more than a stupid main character who lets people who try to kill her or abused her just keep doing it the fact that she keeps doing the same thing over and over again and expecting them to not betray her it's crazy to me she's supposed to be over 100 years old and yet you're telling me she can't tell that she's being played in that these people are going to still try to start some shit with her this is ridiculous

..kk.....kk

If you're after a straightforward, fast-paced plot, this isn't the manga for you. Gogo Monster centers on Tachibana, an elementary school student who becomes isolated from his classmates due to disruptive behavior caused by creatures visible only to him. Readers are drawn into his delusions, with numerous panels emphasizing atmosphere, enhancing the surreal tone.

The cast is small but well-developed, allowing for a deep understanding of their thoughts by the story's conclusion.

The art style may appear somewhat rough, yet it's unexpectedly intricate, harmonizing perfectly with the protagonist's sketches of his visions.

Despite having only a handful of chapters, each one is extensive, around 90 pages long. It took me roughly two hours to finish reading.

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Youth is often an overwhelming flood of new ideas and emotions, a sensation amplified in the place where they converge: school. While everyone adapts differently, most children strive to fit in by mimicking their peers. However, Yuki Tachibana stands apart.

Yuki, an elementary school student, instinctively distances himself from the complexities of youth. He views school life through a unique lens, perceiving an assembly of monsters operating behind the scenes, responsible for every significant event within the school. When a child nearly drowns, Yuki believes the monsters attempted to pull him under. Even minor shifts in student behavior are attributed by Yuki to monster manipulation. Acting on these visions, Yuki is ostracized by his peers and labeled delusional by the school staff, leading him to dismiss adults as "rotten" and further isolate himself.

Taiyo Matsumoto, the creator of Gogo Monster, doesn't immediately reveal whether these occurrences are supernatural phenomena exclusive to Yuki or mere figments of his imagination, a subconscious attempt to rationalize his peers' behavior. This ambiguity is masterfully portrayed through expressionistic art, placing readers in Yuki's mindset. Raindrops have faces, people transform into monsters, and the school's geography evolves with the students' worldview. Matsumoto's sketchy, expressive line work creates a surreal atmosphere, becoming more abstract when Yuki's mental state deteriorates. The cinematic style, with frequent pillow shots and filmic pacing, is characteristic of Matsumoto's work and suits Gogo Monster exceptionally well. All elements contribute to an engaging experience, largely due to Matsumoto's distinctive craftsmanship.

This presentation serves the story's unique narrative. Fundamentally, Gogo Monster is Yuki's coming-of-age tale, albeit a surreal one. The monsters, whether real or imagined, drive Yuki's character development. In a supernatural context, they represent obstacles Yuki must overcome to grow stronger. Psychologically, they might be a defense mechanism helping Yuki understand his classmates or cope with loneliness—issues he must eventually address. It could be a blend of both. Readers share Yuki's limited understanding, exploring multiple interpretations that resonate deeply but only resolve beautifully near the story's end. Throughout, Gogo Monster immerses readers in the abstract mind of a youth navigating self-discovery.

Despite its complexity, Gogo Monster remains accessible. The school caretaker, one of the few non-"rotten" adults, provides valuable mentorship for Yuki. With years of experience, he empathizes with Yuki's perspective, suggesting it may fade with time. His objectivity anchors the story amidst the uncertainty of Yuki's visions. Balance also comes from Yuki's acquaintances, Makoto and IQ. Makoto, a rare "normal" child, seeks to understand Yuki beyond his eccentricities. IQ, a genius recluse who hides his head in a box that grows with peer pressure, shares similarities with Yuki. Together, they find comfort at pivotal moments, crucial for Yuki's growth and maintaining equilibrium in the story.

Ultimately, Gogo Monster seamlessly blends a complex coming-of-age narrative with a compelling presentation. Its form mirrors its content, each impressive individually but breathtaking together.

The first work created without going through serialization in Japanese magazines, which is typically the norm in its homeland, "GoGo Monster" marked the sensei's initial endeavor to craft a one-volume piece (1998-2000).  
   
Without the usual reader feedback that comes with serialized publications, the author approached this work with an unfamiliar method.  
  
The narrative revolves around Yuki Tachibana, a highly unique child whose perception of reality differs from others. One might say it's more advanced, as he frequently finds himself unable to differentiate between two worlds, blurring the lines between what is and isn't real. This trait makes him an outcast at school, where other children are either frightened by his unsettling remarks or simply view him as odd and bully him. However, there are brighter sides too. The school janitor spends considerable time with him, offering companionship and serving as a reference point. He also befriends Makoto, a new student who transferred from another school, and IQ, an older student who always moves about covered by a box.  
  
There are five chapters in total, divided by seasons. In this tale, Matsumoto doesn't aim to clarify what's real and what's imaginary. Instead, he leaves it to the reader to interpret the meaning behind Yuki's words. There will be numerous instances where you'll question whether what he says is true or if the child has a form of autism causing visions and leading him to utter certain things.  
However, the story doesn't solely focus on Yuki's worldview but also addresses how terrifyingly cruel elementary school children can be, regardless of their age. It shows how they can overwhelm adults with their cruelty and how younger children are easily swayed by older ones. Moreover, it highlights the indifference of adults toward children and their inability to understand them, often making superficial judgments about their actions. Of course, not all adults are portrayed negatively, as some teachers strive to comprehend their behavior despite challenges, even if they ultimately fall short. What makes this all chilling is its accurate reflection of reality, with situations occurring daily in schools.  
  
Artistically, compared to my first encounter with Matsumoto's work, "Sunny," it features a very tense style aligning with the overall atmosphere within Yuki's school environment. Strong contrasts and some pages almost entirely black dominate the visuals.  
  
I wouldn't recommend this manga as an introduction to Taiyo Matsumoto's works. It deliberately leaves interpretation open, sometimes compelling the reader to question what they're reading without ever providing clear answers. A highly dreamlike and occasionally unsettling read, it contrasts sharply with the joyful and innocent impression suggested by the manga's cover.  
  
Personally, it wasn't a read that deeply resonated with me, but I appreciated how it sparked a desire in me to understand what lies beyond the real world, as Yuki suggests, and what it means for him to decay, which I associated with growing up and losing the innocence of childhood. <p>

it was good  I like it very muchi would recommend  this for all to read