Yan Sisi accidentally falls into the water and discovers she’s living in a historical novel.
In the book, the female lead is her “cousin,” a switched-at-birth real daughter of a wealthy family. After moving from the countryside back to the city, she marries the “son of a high-ranking official,” attends university, clashes with her spoiled family, discovers her true identity, and, after overcoming many obstacles, reunites with her biological parents. It’s a classic historical-era story.
Yan Sisi, however, is the only child of a dual-income family and serves merely as a contrast to the heroine, emphasizing the heroine’s resilience, kindness, and providing her with a “wooden bracelet” space as a convenient plot tool.
The heroine wears the “wooden bracelet” and accidentally unlocks a storage space, her luck improves, and whenever she encounters difficulties, someone always comes to help.
Awakened with her memories, Yan Sisi thinks: Isn’t it better to unlock a storage space myself?
After successfully unlocking a space, she discovers she has opened a personal planting space. She can plant anything, attracting hordes of food enthusiasts, and there are even little spirits to play with. Life suddenly becomes blissfully happy.
What about the heroine and male lead? Are they the sweet, tasty fruits that are unappealing, or the life of waking up naturally every day that’s not good?
Yan Sisi keeps her distance from the ever-approaching heroine and others, comfortably lying in her dream garden, living a retirement-like life ahead of schedule in the 1970s.
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